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油画创作中的偶发性因素探讨

发布时间:2019-04-15 17:46
【摘要】:在现代美术发展过程中,早期的达达主义采用了偶发性因素来反抗传统审美的限制,而超现实主义则通过怪诞的方式来表达精神的自由,后来的抽象表现主义在创作过程中利用偶发性因素强调自我情感的表达。随着当代艺术对偶发性因素在图像的表现、实践、研究成为当代美术的发展新领域之一。文章通过对偶发性因素这一概念的解释及普遍存在于当代绘画领域之中的现象说明偶发性因素对于艺术创作具有重要意义。同时,进一步分析偶发性因素存在的视觉原理以及在绘画中凸显出来的价值和美学品格,深入分析和研究当代油画创作中的各种偶发性因素,,对如何正确看待、选择和利用偶发性因素,结合自己的创作做一解析和探讨,使其为创作所用。
[Abstract]:In the course of the development of modern fine arts, the early Dadaism used occasional factors to resist the traditional aesthetic restrictions, while surrealism expressed the freedom of spirit in a grotesque way. Later abstract expressionism used occasional factors to emphasize the expression of self-emotion in the process of creation. With the appearance and practice of the dual factors of contemporary art, the research has become one of the new fields of contemporary art development. Through the interpretation of the concept of incidental factors and the phenomenon that exists generally in the field of contemporary painting, this paper shows that the incidental factors are of great significance to artistic creation. At the same time, it further analyzes the visual principle of incidental factors and the value and aesthetic character highlighted in painting, deeply analyzes and studies all kinds of incidental factors in contemporary oil painting creation, and how to treat them correctly. Choose and make use of occasional factors, combine their own creation to do an analysis and discussion, make it used for creation.
【学位授予单位】:上海师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213

【参考文献】

相关期刊论文 前2条

1 徐志坚;绘画偶然肌理效果刍议[J];美术观察;2001年08期

2 周颐;;绘画形式与形式美探析[J];艺术研究;2005年04期



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