似与不似之间—文人画与剪纸造型意识的相关性研究
发布时间：2019-04-15 19:31
【摘要】：中国艺术历史悠久,艺术门类众多,成就纷繁复杂。中华民族源远流长的丰富艺术实践,产生并发展了一系列艺术范畴,在此基础上形成自己独特的艺术体系。其中,文人画和剪纸艺术具有鲜明的特色。中国艺术对意境的追求使得艺术造型有了变化,这种变化产生了似与不似的想象空间,造成了中国两种艺术的意象造型的丰富的精神内涵。意象造型介于具象和抽象之间,既能够传递准确的形象特征和情感,又能够使创作者和观者发挥想象力。这是实与虚的结合,是似与不似之间的变化。文人画是文人精英的艺术,而剪纸属于民间的艺术形态,二者在创作主体、审美异趣等方面的差异非常大。关于各自研究两者内容的文章比较常见,但是将二者放在一起比较研究的文献少之又少。它们有着意象造型的相通原则,但表达方式却各异。或夸张、或简略、或随心所欲,都展现了似与不似之间的魅力。本文旨在将二者放在一起做研究论述,追寻其历史背景下的似与不似之间的意象造型观。本篇文章从三个部分主要论述。第一章,文人画和剪纸意象造型的历史渊源。第二章,两者在似与不似之间造型观念的表现。第三章,两者造型渊源的差异性。尽管文人画和剪纸具有鲜明的特色,但本文在比较文人画和剪纸的差异性之外,要从中探求中国艺术意象造型背后的内涵,追述其造型意识下的文化背景和哲学思想,探究其文化的意蕴性,更加丰富对中国剪纸和文人画认识的思想内涵。
[Abstract]:Chinese art has a long history, art categories are numerous, achievements are numerous and complex. The rich artistic practice of the Chinese nation has produced and developed a series of artistic categories and formed its own unique artistic system on this basis. Among them, literati painting and paper-cut art have distinct characteristics. The pursuit of artistic conception in Chinese art has brought about changes in artistic modelling. This change has produced the imagination space as if and not, resulting in the rich spiritual connotation of image modeling of the two kinds of art in China. Image modeling is between concrete and abstract, which can not only convey accurate image characteristics and emotions, but also make creators and spectators play their imagination. This is the combination of reality and hypocrisy, is the change between resemblance and dissimilarity. Literati painting is the art of literati elite, and paper-cut belongs to folk art form, the difference between them in the main body of creation, aesthetic interest and so on is very big. Articles on the contents of the two studies are more common, but there are very few documents comparing them together. They share the same principle of image modeling, but they are expressed in different ways. Or exaggeration, or brief, or at will, show the charm between like and not like. The purpose of this paper is to put the two together to do research and discuss, and to pursue the concept of image modeling between resemblance and dissimilarity under its historical background. This article mainly discusses from three parts. Chapter one, the historical origin of literati painting and paper-cut image modeling. In the second chapter, the expression of the styling concept between similarity and dissimilarity. The third chapter, the difference of the two styling origins. Although literati painting and paper-cut have distinct characteristics, this paper, besides comparing the difference between literati painting and paper-cut, should explore the connotation behind the image modeling of Chinese art, and trace the cultural background and philosophical thought under its modeling consciousness. Explore the meaning of its culture, enrich the understanding of Chinese paper-cut and literati painting ideological connotation.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J528.1;J212
本文编号：2458428
[Abstract]:Chinese art has a long history, art categories are numerous, achievements are numerous and complex. The rich artistic practice of the Chinese nation has produced and developed a series of artistic categories and formed its own unique artistic system on this basis. Among them, literati painting and paper-cut art have distinct characteristics. The pursuit of artistic conception in Chinese art has brought about changes in artistic modelling. This change has produced the imagination space as if and not, resulting in the rich spiritual connotation of image modeling of the two kinds of art in China. Image modeling is between concrete and abstract, which can not only convey accurate image characteristics and emotions, but also make creators and spectators play their imagination. This is the combination of reality and hypocrisy, is the change between resemblance and dissimilarity. Literati painting is the art of literati elite, and paper-cut belongs to folk art form, the difference between them in the main body of creation, aesthetic interest and so on is very big. Articles on the contents of the two studies are more common, but there are very few documents comparing them together. They share the same principle of image modeling, but they are expressed in different ways. Or exaggeration, or brief, or at will, show the charm between like and not like. The purpose of this paper is to put the two together to do research and discuss, and to pursue the concept of image modeling between resemblance and dissimilarity under its historical background. This article mainly discusses from three parts. Chapter one, the historical origin of literati painting and paper-cut image modeling. In the second chapter, the expression of the styling concept between similarity and dissimilarity. The third chapter, the difference of the two styling origins. Although literati painting and paper-cut have distinct characteristics, this paper, besides comparing the difference between literati painting and paper-cut, should explore the connotation behind the image modeling of Chinese art, and trace the cultural background and philosophical thought under its modeling consciousness. Explore the meaning of its culture, enrich the understanding of Chinese paper-cut and literati painting ideological connotation.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J528.1;J212
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