“规训笔墨秩序”中的即兴:曹鑫的绘画
发布时间：2019-04-16 13:56
【摘要】：正曹鑫的绘画从"花田错"、"伸向端庄的静谧",到新近完成的"刺"系列,都在尝试规训笔墨的秩序,我们在其中可以看到近似于"表现主义"绘画语言中的"野性",也可以看到对于中国传统绘画"淡雅"笔墨意趣的探究。然而这种淡雅也仅仅显现在一些微妙的局部,弥漫于野性的笔墨之间,带出很多生涩的视觉触感。显而易见,曹鑫的绘画在高更的作品中汲取了灵感,斑驳的身影隐退在树荫抑或近乎是夜幕的场景之中,使这一切看
[Abstract]:Cao Xin's paintings range from "Hua Tian wrong", "extending to dignified serenity," to the recently completed "thorns" series, all trying to regulate the order of writing and ink, in which we can see the "wild nature" similar to "expressionism" in painting language. You can also see the traditional Chinese painting "elegant" pen and ink interest exploration. However, this light elegance also appears only in some subtle parts, pervading the wild between the pen and ink, bringing out a lot of raw and astringent visual touch. It is obvious that Cao Xin's paintings draw inspiration from Gauguin's works, and the mottled figure retreats in the shade of the trees or in the scene near the night, so that all of this can be seen.
【作者单位】： 中国美术馆;
【分类号】：J212
，
本文编号：2458834
[Abstract]:Cao Xin's paintings range from "Hua Tian wrong", "extending to dignified serenity," to the recently completed "thorns" series, all trying to regulate the order of writing and ink, in which we can see the "wild nature" similar to "expressionism" in painting language. You can also see the traditional Chinese painting "elegant" pen and ink interest exploration. However, this light elegance also appears only in some subtle parts, pervading the wild between the pen and ink, bringing out a lot of raw and astringent visual touch. It is obvious that Cao Xin's paintings draw inspiration from Gauguin's works, and the mottled figure retreats in the shade of the trees or in the scene near the night, so that all of this can be seen.
【作者单位】： 中国美术馆;
【分类号】：J212
，
本文编号：2458834
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