试论后现代主义审美观与工笔人物画平面化特征的契合点
发布时间：2019-04-16 16:36
【摘要】：属于思想上层建筑的绘画艺术是无法离开时代意识而停滞不前的,在西方后现代主义兴起的大背景下,审美追求日渐平面化,社会整体观念日渐去中心化。通过分析东西方在当下文化上的异同,来更好的在这次思潮中,强调意识形态中为他人所推崇的地方,强调民族自信,抓住机遇,实现中国文化方面的伟大复兴。值得注意的是本文所讨论的“后现代主义”并非局限在狭义的“后现代主义艺术”,而是指的“后现代主义”思潮的平面化特征的表达。同时,和“现实主义”的范畴没有直接联系。而本文提到的平面化并不单指我们日常中所说那种非理性写实(主体塑造上的平面化),同时还包括后现代主义审美的另外3个特征:1.去中心化(认识形式上的平面化)2.距离感的消逝(心理感受上的平面化)3.历史观的消失(历史观上的平面化)本文试图通过分析后现代主义审美的这四个个特征来加深自己对艺术的认知和对于东西方异同的了解,着力于“借古开今、引西润中”,着力于突破造型图示的概念化、符号化,在不背离传统精神的基础上将平面化的特性不断多元化。以适应当代社会发展的方式不断努力。
[Abstract]:The art of painting which belongs to the ideological superstructure cannot stand still without the consciousness of the times. Under the background of the rise of post-modernism in the West, the aesthetic pursuit is becoming more and more plane, and the concept of society as a whole is becoming more and more centralised. Through the analysis of the similarities and differences between the East and the West in the present culture, to better in this trend of thought, emphasize the ideological values of others, emphasize national self-confidence, seize the opportunity, to realize the great rejuvenation of Chinese culture. It is worth noting that the "post-modernism" discussed in this paper is not confined to the narrow sense of "post-modernism art", but refers to the expression of the planarization characteristics of the trend of thought of "post-modernism". At the same time, there is no direct connection with the category of realism. The planarization mentioned in this paper not only refers to the irrational realism (the planarization in the shaping of the subject), but also includes three other features of the aesthetics of post-modernism: 1. Decentralization (planarization in cognitive form) 2. The disappearance of the sense of distance (planarization of psychological feelings) 3. The disappearance of the concept of history (the planarization of the view of history) this paper attempts to deepen his understanding of art and the similarities and differences between the East and the West by analyzing the four characteristics of the aesthetic of post-modernism, focusing on "opening the past to the present and attracting the West from the West". Focus on breaking through the conceptualization and symbolization of modeling diagrams, and continuously diversifying the characteristics of planarization on the basis of not deviating from the traditional spirit. Make constant efforts to adapt to the development of contemporary society.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2458925
[Abstract]:The art of painting which belongs to the ideological superstructure cannot stand still without the consciousness of the times. Under the background of the rise of post-modernism in the West, the aesthetic pursuit is becoming more and more plane, and the concept of society as a whole is becoming more and more centralised. Through the analysis of the similarities and differences between the East and the West in the present culture, to better in this trend of thought, emphasize the ideological values of others, emphasize national self-confidence, seize the opportunity, to realize the great rejuvenation of Chinese culture. It is worth noting that the "post-modernism" discussed in this paper is not confined to the narrow sense of "post-modernism art", but refers to the expression of the planarization characteristics of the trend of thought of "post-modernism". At the same time, there is no direct connection with the category of realism. The planarization mentioned in this paper not only refers to the irrational realism (the planarization in the shaping of the subject), but also includes three other features of the aesthetics of post-modernism: 1. Decentralization (planarization in cognitive form) 2. The disappearance of the sense of distance (planarization of psychological feelings) 3. The disappearance of the concept of history (the planarization of the view of history) this paper attempts to deepen his understanding of art and the similarities and differences between the East and the West by analyzing the four characteristics of the aesthetic of post-modernism, focusing on "opening the past to the present and attracting the West from the West". Focus on breaking through the conceptualization and symbolization of modeling diagrams, and continuously diversifying the characteristics of planarization on the basis of not deviating from the traditional spirit. Make constant efforts to adapt to the development of contemporary society.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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