岳祥书的绘画艺术研究
发布时间：2019-04-19 00:44
【摘要】：岳祥书先生艺术风格的形成与二十世纪中国的艺术风云的起伏变化息息相关。纵观岳祥书一生,艺术风格的发展在传统水墨及借西润中的技法间相互交织,直至形成自己成熟的笔墨语言,谱写了真挚的丹青人生。 岳祥书的传统水墨作品中以花鸟画与山水画为主。在花鸟画方面他深受海派画家影响,吸取了吴昌硕狂放古拙笔意以及任伯年俊逸含蓄之神。在山水画方面遵循“师法古人、师法造化”的古训,师法古人方面受石涛影响最深,不仅在绘画技巧上师法石涛,而且深入应用其绘画理论。另外师法造化,岳祥书先生游遍济南、泰安、临沂、青州等地,深入了解山石结构,掌握了山水的绘画规律。 受艺术时势的影响,岳祥书自幼深受西方绘画思想的熏陶,他的作品中便含有大量借西润中的特色,主要体现在擦碳肖像画、水彩画及部分山水画中。到了七十年代,随着人生经历的丰富以及常年创作经验的积攒,作者逐渐形成了自己成熟的笔墨语言,在这一阶段中,作者的花鸟画作品淋漓尽致,更加耐人寻味,山水画作品娴熟高雅,意境深远高逸。 岳祥书先生质朴的艺术人生可以说是20世纪中国艺术史的一个缩影。但是由于长期不在社会主流的身份、文革期间的打压以及英年早逝,使得岳祥书先生曾被埋没、被遮蔽。但这都不能否认他在山东画坛中西画领域的领军地位以及传统绘画界的中坚地位,他的艺术成就为推动山东绘画的发展做出了贡献。
[Abstract]:The formation of Mr. Yue Xiangshu's artistic style is closely related to the ups and downs of Chinese art in the 20th century. Throughout Yue Xiangshu's life, the development of artistic style intertwined with each other in the traditional ink painting and the techniques in the west run, until the formation of their own mature pen and ink language, compose a sincere Danqing life. Yue Xiangshu's traditional ink painting is dominated by flower-and-bird painting and landscape painting. In flower-and-bird painting, he was deeply influenced by Shanghai painters, absorbing Wu Changshuo and Ren Bonian Junyi's implicit spirit. In the aspect of landscape painting, we follow the ancient instruction of "master law ancients, master method creation". Shi Tao influenced the ancient master law most deeply, not only in painting skills, but also in the application of his painting theory. In addition, Mr. Yue Xiangshu traveled all over Jinan, Taian, Linyi, Qingzhou and other places to understand the structure of mountains and rocks and master the laws of landscape painting. Influenced by the art times, Yue Xiangshu was deeply influenced by the western painting thought since he was young, and his works contain a lot of features in the west run, mainly embodied in the carbon painting, watercolor painting and some landscape paintings, which are mainly reflected in the painting of carbon painting, watercolor painting and part of the landscape painting. By the 1970s, with the wealth of life experience and the accumulation of perennial creative experience, the author gradually formed his mature pen and ink language. In this stage, the author's works on flowers and birds were incisively and vividly, and they were more intriguing. Landscape painting works skilful and elegant, artistic conception is far-reaching and elegant. Mr. Yue Xiangshu's simple artistic life can be said to be a microcosm of the history of Chinese art in the 20th century. But Mr. Yue Xiangshu was buried and obscured because of his long absence from the mainstream of society, the crackdown during the Cultural Revolution and his early death. However, this cannot deny his leading position in the field of Chinese and western painting in Shandong and the backbone of traditional painting. His artistic achievements have contributed to the development of Shandong painting.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2460439
[Abstract]:The formation of Mr. Yue Xiangshu's artistic style is closely related to the ups and downs of Chinese art in the 20th century. Throughout Yue Xiangshu's life, the development of artistic style intertwined with each other in the traditional ink painting and the techniques in the west run, until the formation of their own mature pen and ink language, compose a sincere Danqing life. Yue Xiangshu's traditional ink painting is dominated by flower-and-bird painting and landscape painting. In flower-and-bird painting, he was deeply influenced by Shanghai painters, absorbing Wu Changshuo and Ren Bonian Junyi's implicit spirit. In the aspect of landscape painting, we follow the ancient instruction of "master law ancients, master method creation". Shi Tao influenced the ancient master law most deeply, not only in painting skills, but also in the application of his painting theory. In addition, Mr. Yue Xiangshu traveled all over Jinan, Taian, Linyi, Qingzhou and other places to understand the structure of mountains and rocks and master the laws of landscape painting. Influenced by the art times, Yue Xiangshu was deeply influenced by the western painting thought since he was young, and his works contain a lot of features in the west run, mainly embodied in the carbon painting, watercolor painting and some landscape paintings, which are mainly reflected in the painting of carbon painting, watercolor painting and part of the landscape painting. By the 1970s, with the wealth of life experience and the accumulation of perennial creative experience, the author gradually formed his mature pen and ink language. In this stage, the author's works on flowers and birds were incisively and vividly, and they were more intriguing. Landscape painting works skilful and elegant, artistic conception is far-reaching and elegant. Mr. Yue Xiangshu's simple artistic life can be said to be a microcosm of the history of Chinese art in the 20th century. But Mr. Yue Xiangshu was buried and obscured because of his long absence from the mainstream of society, the crackdown during the Cultural Revolution and his early death. However, this cannot deny his leading position in the field of Chinese and western painting in Shandong and the backbone of traditional painting. His artistic achievements have contributed to the development of Shandong painting.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 张雪梅;;任伯年人物画师承关系研究[J];大众文艺;2010年20期
2 贾方舟;;岳祥书无师自通成大家[J];老年教育(书画艺术);2008年03期
相关硕士学位论文 前1条
1 秦铭;沈周花鸟画的艺术成就[D];上海师范大学;2009年
，本文编号：2460439
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2460439.html
