游丝有灵—在我绘画中的“情绪”

发布时间：2019-04-19 20:51

【摘要】：“情绪”是一个抽象概念,是每一人类个体所具备的特质。“情绪”的基本表现方式为：喜、怒、哀、乐、爱、恶、惧,也偶尔体现出嫉妒、自豪、羞愧、骄傲、虚伪、善变等较为隐秘的形态。不论是正面或负面“情绪”,它的产生都会影响人类的行为动机,并使我们对自身和外界的认知做出相关反应。20世纪初美国心理学家罗伯特·利珀(Robert Ward Leeper)认为：“‘情绪’本身就有方向性,它不只是笼统而无区别的生理激动。”由此可见,“情绪”本身就是动机。它不仅能够影响人们的日常行为,同样作用于绘画审美和创作。在绘画创作中,它具有线条和色彩无法直接表达的晦涩性与多义性之特征,隐秘地渗透在其中；并且,“情绪”能够影响绘画者的创作动机,进而影响创作主体对表达方式与表现语言的选择。本文首先简要地梳理了“情绪”的基本特点,并从绘画角度分析“情绪”在绘画创作中的角色；其次,通过阐述杰克逊·波洛克(Jackson Pollock)和赛·托姆布雷(Cy Twombly)的绘画实践,从其作品、绘画特点、绘画观念等角度,讨论“情绪”在绘画实践中的体现；最后,结合我的绘画作品和绘画思考,具体分析“情绪”对我的绘画理念及创作之影响的重要性。
[Abstract]:"emotion" is an abstract concept, which is the characteristic of every human individual. The basic expression of "emotion" is: joy, anger, sorrow, joy, love, evil, fear, but also occasionally reflects jealousy, pride, shame, pride, hypocrisy, mutuality and other more secret forms. Whether it's positive or negative, it can affect the motivation of human behavior, Robert Lipper (Robert Ward Leeper), an American psychologist at the beginning of the 20th century, said: "'emotion' itself is directional. It's not just a general but indistinguishable physical excitement," says Robert Lipper (Robert Ward Leeper), an American psychologist at the beginning of the 20th century. It can be seen that "emotion" itself is motivation. It can not only affect people's daily behavior, but also play an important role in painting aesthetics and creation. In the creation of painting, it has the characteristics of obscure and polysemous which can not be directly expressed by line and color, and it infiltrates into it covertly. Moreover, "emotion" can influence the creative motivation of the painter, and then affect the choice of the expression mode and the expression language of the creative subject. This paper first briefly combs the basic characteristics of "emotion", and analyzes the role of "emotion" in painting creation from the point of view of painting; Secondly, by expounding the painting practice of Jackson Pollock (Jackson Pollock) and Setombre (Cy Twombly), this paper discusses the embodiment of "emotion" in painting practice from the angles of his works, painting characteristics and painting ideas. Finally, combined with my painting and painting thinking, this paper analyzes the importance of emotion on my painting idea and creation.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J213

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