论油画风景创作中自然与情感的互动

发布时间：2019-05-05 06:05

【摘要】：本文通过论述油画风景创作是画家情感与自然融合的过程,立足于油画风景历史发展脉络的整体来把握其自然与情感的关系。在宏观的历史框架里分析具体画家的情感个性与艺术作品。因为审美价值的取向受到时代、环境、民族、经济等等影响的,同时也受到他本人自己个人经历、文化背景、对人类文明的传承等等的不同而形成独特的艺术追求和个性气质,这是形成每个画家情感差异的具体因素。本人就基于这些差异的认识,通过情感与自然的相互融合这样一个动态的理解来把握油画风景的创作基本规律。第一部分,本文总论油画风景创作中自然与情感的相互关系。首先根据“物质决定意识,意识对物质具有能动的反作用。”的唯物主义观点,论述自然与情感相互作用的原理。强调客观自然是油画风景创作的源泉,作为油画风景画家走进自然、感悟自然,从自然中获取灵感,把自己对客观自然的情感能动的表现在艺术作品里。其次从主观情感与客观自然物象结合,论述油画风景创作时主观情感是贯穿于整个绘画创作过程中。在创作过程中对自然如何取舍以及要表现的画面整体风貌,情感起着重要的作用。画面的情感氛围、“意境”是画家对自然体会和感悟的体现,从情感的角度论述真挚的情感是打动观众的关键,画家应该以虔诚的心灵去理解和把握自然的奥秘。再次从艺术家的个性气质的不同,对自然的情感感悟的差异,来论述油画风景创作中的独特性。以及这种独特性的重大意义,画家应该在与自然互动过程中,努力营造出有个性特色的绘画形式。第二部分,本文把油画风景作品的艺术审美追求总体分为两类。一类是自然与情感的和谐追求,通过普桑、洛兰、柯罗、康斯太勃尔等画家在追求和谐情感的总趋势下,具体分析了他们各自的绘画艺术特色与情感的关系。一类是自然与情感的表现审美追求,以同样的方法论述了透纳、莫奈、塞尚、梵高等画家在油画风景作品里的表现性情感。在这两种艺术审美追求中我们发现它们是一个事物的两个方面,说它是某一种艺术审美追求,是相对的,是某方一面的侧重。一幅油画风景都是情感和谐与情感表现的相互融合,是自然与情感融合下审美追求有侧重的外在表现。弟二部分具体论述了情感在油画风景创作中所能起到的具体作用,它是艺术创作的促进者。通过情感与绘画形式语言的生成和情感与画面氛围等关系,论述在具体绘画过程中情感如何被注入到作品之中的。本文进一步论述了画家对自然的感悟应该是真情实感,这种体验与画家的个性气质、主观态度、民族特色等等相结合形成的特殊情感体验,表现了画家对人与自然、人与社会的整体性理解,最后达到画家要追求的人与物的完美融合的审美理想。
[Abstract]:This paper discusses that oil painting landscape creation is the process of the fusion of painter's emotion and nature, and it is based on the whole of the historical development of oil painting landscape to grasp the relationship between nature and emotion. In the macro-historical framework, this paper analyzes the emotional personality and artistic works of specific painters. Because the orientation of aesthetic value is influenced by the times, environment, nation, economy and so on, it is also influenced by his own personal experience, cultural background, inheritance of human civilization and so on, thus forming a unique artistic pursuit and personality temperament. This is the specific factor that forms the emotional difference of each painter. Based on the understanding of these differences, I grasp the basic law of oil painting landscape creation through a dynamic understanding of the fusion of emotion and nature. The first part is about the relationship between nature and emotion in oil painting landscape creation. First of all, according to "matter determines consciousness, consciousness has a dynamic reaction to matter." From the materialistic point of view, this paper discusses the principle of the interaction between nature and emotion. It is emphasized that objective nature is the source of landscape creation of oil painting. As a painter of oil painting landscape, he walks into nature, realizes nature, obtains inspiration from nature, and expresses his emotion dynamic towards objective nature in his artistic works. Secondly, from the combination of subjective emotion and objective natural object, this paper discusses that the subjective emotion runs through the whole process of painting creation. In the process of creation, it plays an important role in how to choose between nature and how to express the overall style and emotion of the picture. The emotional atmosphere of the picture, "artistic conception" is the embodiment of the artist's understanding of nature. From the point of view of emotion, it is the key to impress the audience that the sincere emotion is the key to move the audience. The painter should understand and grasp the mystery of nature with a pious mind. Thirdly, this paper discusses the uniqueness of oil painting landscape creation from the difference of artist's personality temperament and the difference of emotion and feeling to nature. As well as the significance of this uniqueness, painters should strive to create a unique form of painting in the process of interaction with nature. In the second part, the artistic aesthetic pursuit of oil painting landscape works is divided into two categories. One is the pursuit of harmony between nature and emotion. Through the general trend of seeking harmonious emotion, the painters, such as Pusanne, Loran, Colo, Constable and other painters, have analyzed the relationship between their respective artistic characteristics and emotion in the pursuit of harmonious emotion. One is the aesthetic pursuit of the expression of nature and emotion. In the same way, the painters such as Turner, Monet, Cezanne, Van Gogh and other painters express their sexual feelings in the oil painting landscape works. In these two kinds of artistic aesthetic pursuit, we find that they are two aspects of one thing, that is, it is a certain kind of artistic aesthetic pursuit, is relative, is the emphasis of one side. A landscape of oil painting is the fusion of emotion harmony and emotion expression, and the external expression of aesthetic pursuit under the combination of nature and emotion. The second part discusses the specific role that emotion can play in oil painting landscape creation, and it is the promoter of artistic creation. Through the relationship between emotion and painting form language and between emotion and picture atmosphere, this paper discusses how emotion is injected into the works in the process of concrete painting. This article further discusses that the artist's understanding of nature should be a true feeling. This experience is combined with the artist's personality temperament, subjective attitude, national characteristics and so on to form a special emotional experience, which shows the artist's relationship with human beings and nature, and this kind of experience is combined with the artist's individual temperament, subjective attitude, and national characteristics. The holistic understanding of man and society finally achieves the aesthetic ideal of the perfect fusion of man and thing to be pursued by painters.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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