古典主义肖像画虔诚精神的探索与实践
发布时间：2019-05-07 04:07
【摘要】：古典主义肖像画在油画历史的长河中一直占重要地位,绘画史上的古典主义肖像画大师也灿若繁星。我自小学画以来便对古典主义肖像画情有独钟。研究生期间以此为课题也是顺理成章的。我认为美术首先是美的艺术,画面是否能愉悦人们的双眼是大部分人都能欣赏和接受的重要前提,古典主义肖像画所追求的便是美的典范。古典主义肖像画是一个虔诚的画种,对基础要求也比较高,需要投入大量的时间和精力,是不可能速成的。对作品是否有一颗虔诚之心,是要画好古典主义肖像画基本条件,应该有尽我所能的意识,虔诚的、不留余力的对待自己每一幅作品。通过研究生期间的学习实践,我愈发发现对作品的态度是对一幅作品的重要性,在这个快餐文化盛行的时代,唯有“虔诚”可以守住本心。对作品虔诚之心有如宗教对教徒的约束,时刻提醒着我坦诚面对自己的作品,从画面内的人物造型和结构、绘画材料以及画外对自己作品态度等方面严格地警醒着我,为我指明前进的方向。
[Abstract]:Classicism portraits have always played an important role in the history of oil painting, and the masters of classical portraits in the history of painting are also shining stars. I've had a crush on classical portraits since I was in primary school. It is also natural to take this as a subject during graduate school. I think art is the art of beauty first, whether the picture can please people's eyes is the important premise that most people can appreciate and accept, what classical portraits pursue is the model of beauty. Classicism portrait painting is a kind of pious painting, which requires a lot of time and energy, so it is impossible to make it fast. Whether there is a pious heart to the work, is to draw a good classical portrait of the basic conditions, should have as much as I can, pious, do not leave Yu Li to treat each of his works. Through the study and practice of graduate students, I find that the attitude to the work is of great importance to a work. In this era of fast food culture, only "piety" can hold its own heart. The piety of the work is like a religious constraint on the church, reminding me to be honest with my work and to wake me up strictly from the aspects of the shape and structure of the characters in the picture, the material of the painting, and the attitude of the painting to my work, and so on. Show me the way forward.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2470754
[Abstract]:Classicism portraits have always played an important role in the history of oil painting, and the masters of classical portraits in the history of painting are also shining stars. I've had a crush on classical portraits since I was in primary school. It is also natural to take this as a subject during graduate school. I think art is the art of beauty first, whether the picture can please people's eyes is the important premise that most people can appreciate and accept, what classical portraits pursue is the model of beauty. Classicism portrait painting is a kind of pious painting, which requires a lot of time and energy, so it is impossible to make it fast. Whether there is a pious heart to the work, is to draw a good classical portrait of the basic conditions, should have as much as I can, pious, do not leave Yu Li to treat each of his works. Through the study and practice of graduate students, I find that the attitude to the work is of great importance to a work. In this era of fast food culture, only "piety" can hold its own heart. The piety of the work is like a religious constraint on the church, reminding me to be honest with my work and to wake me up strictly from the aspects of the shape and structure of the characters in the picture, the material of the painting, and the attitude of the painting to my work, and so on. Show me the way forward.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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1 谭万方;古典主义肖像画虔诚精神的探索与实践[D];山东艺术学院;2017年
，本文编号：2470754
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