没骨法对个人创作的启发与实践
发布时间：2019-05-07 09:01
【摘要】：自古就有的“没骨法”虽介于工笔与写意之间，但也是中国传统绘画不可缺少的一部分，虽然在当代中国画的发展中相对薄弱，也一直坚强独立的发展与演变。 没骨法，简单的说就是指不用墨线勾出物象的轮廓，而是用颜色或墨来表现物像的一种画法。强调了色彩和墨块在画面上的作用，弱化了线条对轮廓的禁锢，将色彩、墨块作为最主要的表达方式。没骨技法相传先是南朝张僧繇开创，到了北宋徐崇嗣的没骨花鸟画，没骨走向了它第一个高潮，后虽沉寂了一段时间，清代的大家恽南田在吸收前人画法的基础上打破了没骨旧的格局，重新将没骨画推向了辉煌。 在没骨技法的不断发展中没骨人物画的改革反应了现代中国画家独特的智慧层次和精神需求，它继承发展着传统绘画，，与之息息相关；又受到西方绘画艺术的影响，形式上源于对中国传统文化的契合，与含有东方情调的西方绘画不同，与整个时代气息相吻合。 没骨技法对我的绘画学习和创作都产生了巨大的影响，虽然是一种对画法画风新的尝试，但我仍会不遗余力的研究和创作下去，虽谈不上为没骨事业添砖加瓦，但也争取无愧于心。
[Abstract]:Although the "bone-free method", which has existed since ancient times, is between meticulous writing and freehand writing, it is also an indispensable part of Chinese traditional painting. Although it is relatively weak in the development of contemporary Chinese painting, it has also been a strong and independent development and evolution. Bone-free method, simply refers to the outline of the object without using ink line, but to use color or ink to represent the image of a kind of painting. It emphasizes the function of color and ink block on the picture, weakens the imprison of line to outline, and takes color and ink block as the main expression mode. It is said that the bone-free technique was first initiated by Zhang Sang-you in the Southern Dynasty. In the Northern Song Dynasty, Xu Chongsi's paintless flowers and birds with no bones went to its first climax, and after that, although it was silent for a while, In the Qing Dynasty, Yun Nantian broke the pattern of no bones on the basis of absorbing the previous painting methods, and again pushed the no bone paintings to glory. In the continuous development of bone-free techniques, the reform of figure painting without bones reflects the unique intellectual level and spiritual needs of modern Chinese painters, and it inherits and develops traditional painting, which is closely related to it. Influenced by the western painting art, the traditional Chinese culture is different from the western painting, which is different from the traditional Chinese culture, and is consistent with the flavor of the whole era. Bone-free techniques have had a great impact on my painting study and creation. Although it is a new attempt at painting style, I will still spare no effort in researching and creating. Although I can't talk about adding a brick to the bone-free cause, But also strive to be worthy of it.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2470949
[Abstract]:Although the "bone-free method", which has existed since ancient times, is between meticulous writing and freehand writing, it is also an indispensable part of Chinese traditional painting. Although it is relatively weak in the development of contemporary Chinese painting, it has also been a strong and independent development and evolution. Bone-free method, simply refers to the outline of the object without using ink line, but to use color or ink to represent the image of a kind of painting. It emphasizes the function of color and ink block on the picture, weakens the imprison of line to outline, and takes color and ink block as the main expression mode. It is said that the bone-free technique was first initiated by Zhang Sang-you in the Southern Dynasty. In the Northern Song Dynasty, Xu Chongsi's paintless flowers and birds with no bones went to its first climax, and after that, although it was silent for a while, In the Qing Dynasty, Yun Nantian broke the pattern of no bones on the basis of absorbing the previous painting methods, and again pushed the no bone paintings to glory. In the continuous development of bone-free techniques, the reform of figure painting without bones reflects the unique intellectual level and spiritual needs of modern Chinese painters, and it inherits and develops traditional painting, which is closely related to it. Influenced by the western painting art, the traditional Chinese culture is different from the western painting, which is different from the traditional Chinese culture, and is consistent with the flavor of the whole era. Bone-free techniques have had a great impact on my painting study and creation. Although it is a new attempt at painting style, I will still spare no effort in researching and creating. Although I can't talk about adding a brick to the bone-free cause, But also strive to be worthy of it.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 常姗姗;孙敬;;简析传统没骨画的风格特征[J];大众文艺(理论);2009年21期
2 徐卫;呼应造化的内在精神——论“没骨”笔墨的创新[J];文艺评论;2005年04期
本文编号：2470949
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