谈倪瓒山水作品《容膝斋图》中的虚与实
发布时间：2019-05-07 18:20
【摘要】：倪瓒的绘画艺术开创了元代山水画的新风,具有较高的艺术成就和研究价值。本文通过对倪瓒《容膝斋图》中虚与实的研究,进一步阐释了中国传统绘画的美学原则—“虚实相生”在绘画中的艺术表现力。通过虚与实的探究,反映出画家倪瓒虚静旷达的精神境界,同时彰显了画家超凡脱俗的人格魅力。本论文的目的:1.为倪瓒绘画风格的理论研究提出新角度的探索方向,以便于绘画者们对倪瓒作品内涵的理解与把握,更有效的临习作品。2.为现代绘画者们提供好的思路,将中国的美学思想更好的引入到绘画中,继承发扬与创新,创作出有思想有意义更赋有中国文化内涵的作品供大众欣赏。3.通过对本课题的研究,为了解元代绘画及社会文化背景具有参考价值。本文的研究方法:一、作品欣赏法。在资料室借阅画本《容膝斋图》进行细致品读,对作品中绘画元素进行分析与研究。二、文献法。笔者通过阅读大量的有关元代山水绘画的著作及文章积累素材,尤其是针对倪瓒画风的研究特别关注。同时翻阅了许多关于《容膝斋图》以及对虚实美学原则分析的绘画理论和相关论文予以参考。本文主要从中国传统虚实美学原则的角度出发对倪瓒山水作品《容膝斋图》进行多层面的剖析与研究。全文概括为四个部分:第一部分,从社会历史背景和研究意义对作品《容膝斋图》进行概述。第二部分是分别从中国绘画的人文精神和绘画要素阐述中国传统绘画的虚实概念,研究“虚实相生”的绘画理论及其渊源。第三部分,针对倪瓒山水作品《容膝斋图》绘画元素中虚与实的具体探究。第四部分:主要论述作品中虚实美学的实践意义及影响。通过对本课题的研究,对《容膝斋图》作品的创作背景及倪瓒画风有了清晰的认识。在虚实美学下对作品进行分析与探究,也为当今学画者提供了理论基础和实践指导。
[Abstract]:Ni Zan's painting art created a new style of landscape painting in Yuan Dynasty, which has high artistic achievement and research value. Through the study of the virtual and the real in Ni Zan's Rong geng Zhai, this paper further explains the artistic expression of the aesthetic principle of Chinese traditional painting, "the virtual reality" in the painting. Through the exploration of vacuity and reality, it reflects the spiritual realm of the painter Ni Zan, and at the same time shows the artist's extraordinary personality charm. Purpose of this thesis: 1. Put forward a new angle of exploration for the theoretical study of Ni Zan's painting style, in order to facilitate the painters to understand and grasp the connotation of Ni Zan's works, more effective practice works. 2. Provide a good idea for the modern painters, introduce the Chinese aesthetic thought into the painting better, inherit, carry forward and innovate, create the works with thought, meaning and Chinese culture connotation for the public to enjoy. 3. Through the study of this subject, it has reference value to understand the painting and social and cultural background of Yuan Dynasty. The research methods of this paper are as follows: 1. Appreciation of works. In the reference room, borrow the picture book Rong genizhai for careful reading, and analyze and study the painting elements in the work. Second, documentation method. Through reading a large number of works and articles about Yuan Dynasty landscape painting, the author accumulated material, especially the study of Ni Zan's painting style. At the same time, I refer to many painting theories and related papers about Rong Gongzhai and the analysis of the principle of virtual and real aesthetics. This paper mainly analyzes and studies Ni Zan's landscape works "Rong Gongzhai" from the angle of Chinese traditional aesthetic principle of virtual reality. The full text is summarized into four parts: the first part, from the social and historical background and research significance of the work "Rong Gongzhai" is summarized. The second part expounds the concept of virtual reality in Chinese traditional painting from the humanistic spirit of Chinese painting and the elements of painting, and studies the painting theory and its origin of "virtual reality comes into being". The third part, aiming at Ni Zan's landscape works "Rong Gongzhai" painting elements of virtual and real specific exploration. The fourth part mainly discusses the practical significance and influence of the virtual and real aesthetics in the works. Through the study of this subject, we have a clear understanding of the creation background and the painting style of Ni Zan. The analysis and exploration of the works under the virtual and realistic aesthetics also provides the theoretical basis and practical guidance for the contemporary painters.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2471296
[Abstract]:Ni Zan's painting art created a new style of landscape painting in Yuan Dynasty, which has high artistic achievement and research value. Through the study of the virtual and the real in Ni Zan's Rong geng Zhai, this paper further explains the artistic expression of the aesthetic principle of Chinese traditional painting, "the virtual reality" in the painting. Through the exploration of vacuity and reality, it reflects the spiritual realm of the painter Ni Zan, and at the same time shows the artist's extraordinary personality charm. Purpose of this thesis: 1. Put forward a new angle of exploration for the theoretical study of Ni Zan's painting style, in order to facilitate the painters to understand and grasp the connotation of Ni Zan's works, more effective practice works. 2. Provide a good idea for the modern painters, introduce the Chinese aesthetic thought into the painting better, inherit, carry forward and innovate, create the works with thought, meaning and Chinese culture connotation for the public to enjoy. 3. Through the study of this subject, it has reference value to understand the painting and social and cultural background of Yuan Dynasty. The research methods of this paper are as follows: 1. Appreciation of works. In the reference room, borrow the picture book Rong genizhai for careful reading, and analyze and study the painting elements in the work. Second, documentation method. Through reading a large number of works and articles about Yuan Dynasty landscape painting, the author accumulated material, especially the study of Ni Zan's painting style. At the same time, I refer to many painting theories and related papers about Rong Gongzhai and the analysis of the principle of virtual and real aesthetics. This paper mainly analyzes and studies Ni Zan's landscape works "Rong Gongzhai" from the angle of Chinese traditional aesthetic principle of virtual reality. The full text is summarized into four parts: the first part, from the social and historical background and research significance of the work "Rong Gongzhai" is summarized. The second part expounds the concept of virtual reality in Chinese traditional painting from the humanistic spirit of Chinese painting and the elements of painting, and studies the painting theory and its origin of "virtual reality comes into being". The third part, aiming at Ni Zan's landscape works "Rong Gongzhai" painting elements of virtual and real specific exploration. The fourth part mainly discusses the practical significance and influence of the virtual and real aesthetics in the works. Through the study of this subject, we have a clear understanding of the creation background and the painting style of Ni Zan. The analysis and exploration of the works under the virtual and realistic aesthetics also provides the theoretical basis and practical guidance for the contemporary painters.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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