从《烟江叠嶂》浅析董其昌所倡导的平淡天真
发布时间：2019-05-09 10:07
【摘要】：作为诗书画兼通的文人士大夫,董其昌在理论和实践上对于山水画的研究是超凡脱俗的,其所倡导的南宗文人画理论在晚明以来被世人推崇。董其昌通过创作实践,提出南北宗论用以规范文人画,进而确立一套审美标准,强调“士气”,推崇南宗的“平淡天真”。董其昌把巧妙的构图、精妙的笔墨以及内心自然的性情表达融入到《烟江叠嶂》中,通过作品来传达其所倡导的笔墨情怀和萧散意境。本文第一章结合董其昌的山水画理论和《烟江叠嶂》,来具体的分析“平淡天真”的含义。第二章对《烟江叠嶂》进行具体、细致的分析,通过笔墨和构图两个方面来展开。第三章主要结合笔者的创作来阐述了《烟江叠嶂》对笔者创作的启发,通过对于《烟江叠嶂》中笔墨、构图的学习,以丰富自己的创作。创作需要理论的学习和技法的积累,笔者希望对于《烟江叠嶂》的分析,为笔者创作中的技法提供基础,而对于“平淡天真”意境的理解,领悟董其昌的文人画理论,为创作提供思路。笔者的创作希望在表现自然物象的基础上,自然的抒发性情,以呈现出心中所向往的山水画之境。
[Abstract]:Dong Qichang, a literati doctor who has both poetry, calligraphy and painting, studies landscape painting in theory and practice, and his theory of Nanzong literati painting advocated by Dong Qichang has been respected by the world since the late Ming Dynasty, and his theory of literati painting in Nanzong has been highly regarded by the world since the late Ming Dynasty. Through writing practice, Dong Qichang put forward the theory of north and south patriarchal to standardize literati painting, and then established a set of aesthetic standards, emphasized "morale", and praised Nanzong's "plain innocence". Dong Qichang integrated his ingenious composition, exquisite ink and natural inner expression into Yanchang Mountain to convey the ink and ink feelings and artistic conception advocated by Dong Qichang through his works. In the first chapter, combined with Dong Qichang's theory of landscape painting and Yanzhang, this paper analyzes the meaning of "plain and naive". The second chapter carries on the concrete and meticulous analysis to the Yanjiang zhanzhang, through the pen and ink and the composition two aspects to carry on the development. The third chapter mainly combines the author's creation to elaborate the inspiration to the author's creation, through the study of the ink and composition in Yanchang Mountain, in order to enrich his own creation. Creation requires theoretical study and accumulation of techniques. The author hopes that the analysis of "Yan Jiang's overlapping mountains" will provide the basis for the skills in my creation, and the understanding of "plain and naive" artistic conception and the comprehension of Dong Qichang's theory of literati painting. Provide ideas for creation. The author hopes to express the nature of nature on the basis of the expression of natural objects, so as to present the landscape of landscape painting which the heart longed for.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2472686
[Abstract]:Dong Qichang, a literati doctor who has both poetry, calligraphy and painting, studies landscape painting in theory and practice, and his theory of Nanzong literati painting advocated by Dong Qichang has been respected by the world since the late Ming Dynasty, and his theory of literati painting in Nanzong has been highly regarded by the world since the late Ming Dynasty. Through writing practice, Dong Qichang put forward the theory of north and south patriarchal to standardize literati painting, and then established a set of aesthetic standards, emphasized "morale", and praised Nanzong's "plain innocence". Dong Qichang integrated his ingenious composition, exquisite ink and natural inner expression into Yanchang Mountain to convey the ink and ink feelings and artistic conception advocated by Dong Qichang through his works. In the first chapter, combined with Dong Qichang's theory of landscape painting and Yanzhang, this paper analyzes the meaning of "plain and naive". The second chapter carries on the concrete and meticulous analysis to the Yanjiang zhanzhang, through the pen and ink and the composition two aspects to carry on the development. The third chapter mainly combines the author's creation to elaborate the inspiration to the author's creation, through the study of the ink and composition in Yanchang Mountain, in order to enrich his own creation. Creation requires theoretical study and accumulation of techniques. The author hopes that the analysis of "Yan Jiang's overlapping mountains" will provide the basis for the skills in my creation, and the understanding of "plain and naive" artistic conception and the comprehension of Dong Qichang's theory of literati painting. Provide ideas for creation. The author hopes to express the nature of nature on the basis of the expression of natural objects, so as to present the landscape of landscape painting which the heart longed for.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
【相似文献】
相关硕士学位论文 前3条
1 王铭浩;从《烟江叠嶂》浅析董其昌所倡导的平淡天真[D];上海师范大学;2017年
2 胡圣元;论如何理解与运用董其昌《青弁图》[D];上海师范大学;2017年
3 陈铁男;董其昌《烟江叠嶂图》的形式分析与重构[D];上海师范大学;2017年
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