铜版画印痕语言的实验性应用探究
发布时间：2019-05-10 16:07
【摘要】：铜版画是利用版来绘画的间接艺术,并非直接绘画艺术,利用媒介物印制的印痕艺术。铜版画的痕迹是通过制版、印版形成的,铜版画的语言魅力是其所呈现的语言形式是痕迹下的产物,从雕凹线、蚀刻,腐蚀法、软蜡法、干刻法、美柔汀发展到拼贴、照相制版等表现技法,都是通过“蚀、刻、刮、磨”来表现产生的。铜版画从十五世纪中叶被用来制作复制版画,从原来的图像传播转为绘画史上的独立风格。版画艺术向着视觉的多样性发展,通过美学的延伸解构和技术方法的重组,产生不同于传统的审美方式,呈现的技法和媒介具有多元性和多样性,通过Ou用影印、摄影、录像等数位科技,数位科技对艺术的表现已经介入已深,艺术家得以在最短的时间内达到最快的效率,投入到艺术的创作中去。铜版画的语言魅力除了延续传统的版画制作外,并且利用版画的制作手法,以“版”为模探讨版画延伸的领域,强调铜版画印痕意识的延伸与浮雕、装置、雕塑、其他绘画语言等三维形式拓展应用,呈现多元性与多样性媒材复合表现趋势,对版画印痕语言的拓展重大的意义与价值。
[Abstract]:Copperprint is an indirect art of painting by edition, not a direct painting art, but an imprint art printed by media. The traces of copperprint are formed by plate making and printing. The language charm of copperplate is the product of its language form, from engraving line, etch, corrosion method, soft wax method, dry engraving method, melotin method to collage. Photographic plate making and other performance techniques are produced by "etch, carve, scrape, grind". Copperprint was used to make reproduction prints from the middle of the fifteenth century, from the original image dissemination to the independent style in the history of painting. Printmaking art develops to the diversity of vision, through the extension of aesthetics and the reorganization of technical methods, resulting in different from the traditional aesthetic way, the techniques and media presented are pluralistic and diverse, through Ou photocopying, photography, Video and other digital technology, digital technology to the performance of art has been deeply involved, artists in the shortest time to achieve the fastest efficiency, into the creation of art. The language charm of copperprint not only continues the traditional printmaking, but also uses the making technique of printmaking to explore the field of printmaking extension with the model of "edition", emphasizing the extension of engraving consciousness and relief, installation and sculpture. The development and application of other three-dimensional forms, such as painting languages, presents the trend of compound expression of pluralistic and diverse media, which is of great significance and value to the expansion of printmaking printing language.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217
本文编号：2473796
[Abstract]:Copperprint is an indirect art of painting by edition, not a direct painting art, but an imprint art printed by media. The traces of copperprint are formed by plate making and printing. The language charm of copperplate is the product of its language form, from engraving line, etch, corrosion method, soft wax method, dry engraving method, melotin method to collage. Photographic plate making and other performance techniques are produced by "etch, carve, scrape, grind". Copperprint was used to make reproduction prints from the middle of the fifteenth century, from the original image dissemination to the independent style in the history of painting. Printmaking art develops to the diversity of vision, through the extension of aesthetics and the reorganization of technical methods, resulting in different from the traditional aesthetic way, the techniques and media presented are pluralistic and diverse, through Ou photocopying, photography, Video and other digital technology, digital technology to the performance of art has been deeply involved, artists in the shortest time to achieve the fastest efficiency, into the creation of art. The language charm of copperprint not only continues the traditional printmaking, but also uses the making technique of printmaking to explore the field of printmaking extension with the model of "edition", emphasizing the extension of engraving consciousness and relief, installation and sculpture. The development and application of other three-dimensional forms, such as painting languages, presents the trend of compound expression of pluralistic and diverse media, which is of great significance and value to the expansion of printmaking printing language.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217
【参考文献】
相关期刊论文 前2条
1 魏泉;;水印木刻版画在创作中的灵变性及特点[J];普洱学院学报;2014年01期
2 张雪梅;;伽达默尔对艺术作品的探究[J];安徽师范大学学报(人文社会科学版);2008年03期
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