明代“王西厢”刻本插图研究
发布时间：2019-05-11 13:18
【摘要】：“王西厢”作为中国古典戏曲瑰宝之一,其刊刻版本众多,加之各流派画家、刻工联袂绘镌插图,使其艺术价值颇高。本文以明刊“王西厢”诸版本插图为研究对象,对插图本体进行艺术分析,探究诸版本插图的表现样式、流派风格、色彩塑造,初步解析插图对文本的评论功能,并探索其对后世工艺美术作品的影响。在明刊“王西厢”诸版本插图叙录分析中,按照时间顺序梳理各版本插图的数量、形式、位置、绘刻者、标题以及收藏地等信息,并概括总结出明刊“王西厢”诸版本插图的四种绘图方式、四种插图版式以及四种标题类型。在明刊“王西厢”诸版本插图艺术分析中,首先探究诸版本插图表现样式的演变轨迹。插图作品从金台岳本的图随文走,到对舞台表演、舞台时空设置的模仿,从绘画者运用隐喻符号表情达意,到以读者的期待视野为创作理念的变化,揭示明刊“王西厢”诸版本插图与剧本关系的不断变化,探究其超越文本的叙事能力。其次,初步分析诸版本插图的艺术风格。建安版画中的“王西厢”插图多为朴素古雅风格;金陵版画中的“王西厢”插图多反映金陵版画从雄浑厚重向粗细相兼演变发展的过程;武林版画中的“王西厢”插图承袭徽州版画的绵密清秀,并加入武林当地格调高雅的审美理念;苏州版画中的“王西厢”插图形神兼备、气韵生动;吴兴版画中的“王西厢”插图以圆熟闲雅的风格彰显其文人意趣。最后,黑白木刻版画以线面明暗、线条疏密、设置时间符码的方式完成图像色彩感的塑造,而闵齐O 本彩色套印插图无论在刻印技法上亦或是施色位置选择上,都考虑了插图的章法美与内涵美。在明刊“王西厢”诸版本插图的评论功能与创作影响中,揭示“王西厢”插图拥有一种有意识的表达与评价功能,且对后世工艺美术创作产生影响。
[Abstract]:Wang Xifang, as one of the treasures of Chinese classical opera, has many engraved versions, coupled with painters of all schools, engraving illustrations together, which makes its artistic value quite high. This paper takes the illustration of Wang Xifang, a Ming magazine, as the research object, makes an artistic analysis of the illustration ontology, probes into the expression style, school style, color shaping of each version of the illustration, and preliminarily analyzes the comment function of the illustration on the text. And explore its influence on later arts and crafts works. In the description and analysis of the illustration of Wang Xifang in Ming Dynasty, the quantity, form, position, painter, title and collection place of each edition of illustration are sorted out according to the chronological order. It also summarizes four kinds of drawing methods, four kinds of illustration layout and four kinds of title types of the illustration in Wang Xifang, a Ming Dynasty magazine, and summarizes four kinds of drawing methods, four kinds of illustration layout and four kinds of title types in the Ming magazine Wang Xifang. In the analysis of the art of illustration in Wang Xifang, a Ming magazine, this paper first explores the evolution track of the expression style of each edition of illustration. The illustration works range from the picture of Yueben in Jintai to the imitation of stage performance and stage space-time setting, from the use of metaphorical symbols to the change of the creative concept of the reader's expectation vision. This paper reveals the changing relationship between illustration and script in Wang Xifang, a Ming magazine, and probes into its narrative ability beyond the text. Secondly, a preliminary analysis of the artistic style of the various versions of the illustration. The illustration of "Wang Xixiang" in Jian'an printmaking is mostly simple and elegant, and the illustration of "Wang Xifang" in Jinling printmaking mostly reflects the evolution and development of Jinling printmaking from majestic and heavy to thick and fine. The illustration of "Wang Xixiang" in Wulin printmaking inherits the dense beauty of Huizhou printmaking and adds the elegant aesthetic concept of Wulin's local style, and the illustration of "Wang Xixiang" in Suzhou printmaking is both spiritual and vivid. The illustration of Wang Xixiang in Wu Xing printmaking shows its literati interest in a familiar and elegant style. Finally, the black and white woodcut printmaking completes the shaping of the color sense of the image in the way of line surface light and dark, dense lines and setting time symbol code, while Minqi O color overprint illustration is not only in the engraving technique but also in the choice of color position. Both the beauty of the chapter and the beauty of connotation of the illustration are taken into account. In the comment function and creative influence of various editions of illustration in Ming magazine Wang Xifang, it is revealed that Wang Xifang illustration has a conscious expression and evaluation function, and has an influence on the creation of arts and crafts in later generations.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.5
本文编号：2474521
[Abstract]:Wang Xifang, as one of the treasures of Chinese classical opera, has many engraved versions, coupled with painters of all schools, engraving illustrations together, which makes its artistic value quite high. This paper takes the illustration of Wang Xifang, a Ming magazine, as the research object, makes an artistic analysis of the illustration ontology, probes into the expression style, school style, color shaping of each version of the illustration, and preliminarily analyzes the comment function of the illustration on the text. And explore its influence on later arts and crafts works. In the description and analysis of the illustration of Wang Xifang in Ming Dynasty, the quantity, form, position, painter, title and collection place of each edition of illustration are sorted out according to the chronological order. It also summarizes four kinds of drawing methods, four kinds of illustration layout and four kinds of title types of the illustration in Wang Xifang, a Ming Dynasty magazine, and summarizes four kinds of drawing methods, four kinds of illustration layout and four kinds of title types in the Ming magazine Wang Xifang. In the analysis of the art of illustration in Wang Xifang, a Ming magazine, this paper first explores the evolution track of the expression style of each edition of illustration. The illustration works range from the picture of Yueben in Jintai to the imitation of stage performance and stage space-time setting, from the use of metaphorical symbols to the change of the creative concept of the reader's expectation vision. This paper reveals the changing relationship between illustration and script in Wang Xifang, a Ming magazine, and probes into its narrative ability beyond the text. Secondly, a preliminary analysis of the artistic style of the various versions of the illustration. The illustration of "Wang Xixiang" in Jian'an printmaking is mostly simple and elegant, and the illustration of "Wang Xifang" in Jinling printmaking mostly reflects the evolution and development of Jinling printmaking from majestic and heavy to thick and fine. The illustration of "Wang Xixiang" in Wulin printmaking inherits the dense beauty of Huizhou printmaking and adds the elegant aesthetic concept of Wulin's local style, and the illustration of "Wang Xixiang" in Suzhou printmaking is both spiritual and vivid. The illustration of Wang Xixiang in Wu Xing printmaking shows its literati interest in a familiar and elegant style. Finally, the black and white woodcut printmaking completes the shaping of the color sense of the image in the way of line surface light and dark, dense lines and setting time symbol code, while Minqi O color overprint illustration is not only in the engraving technique but also in the choice of color position. Both the beauty of the chapter and the beauty of connotation of the illustration are taken into account. In the comment function and creative influence of various editions of illustration in Ming magazine Wang Xifang, it is revealed that Wang Xifang illustration has a conscious expression and evaluation function, and has an influence on the creation of arts and crafts in later generations.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.5
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