青花人物画研究
发布时间：2019-05-13 18:56
【摘要】：陶瓷不仅是我国古代华夏民族的伟大发明,而且还是一项历久弥新的文化遗产。瓷器是作为一个重要的载体来继承和发扬中国古代文明的,它是我们民族对全国乃至世界文化的重要见证。 在陶瓷上出现绘有人物题材的图案,历史悠久,可以追溯到原始社会。闻名遐迩的“舞蹈纹彩陶盆”就是在青海大同县孙家寨出土的,它刻画的是一群少女手拉手跳舞的场景。元青花是陶瓷发展历史上的第一个高峰,通过传统的描绘手法,在素胎之上用蓝色纹饰陪衬起来,色泽鲜艳,明亮、干净,简单而优雅的画面大有中国传统水墨画的风趣。在元青花众多的人物纹饰中,历史故事题材的纹饰独占鳌头,由于它存世量极为少见,成为特别值得研究的对象。元青花人物故事纹饰作为我国瓷器中最绚烂夺目的一个指示灯,它凭借其高超的技艺和辉煌的艺术及历史价值,成为中华民族陶瓷史上首屈一指的佳肴。由于元代戏曲的发达,小说的盛行和版画的发展,人物纹饰的装饰也随之发展而来,这其中发展较快的就属历史人物故事题材了。这和其他时代是无法相提并论的。明清时代是青花瓷的发展从鼎盛走向衰败的过渡时期。在这期间,明永乐、宣德时期是一个尤其值得注意的时期,这一时期是其发展的鼎盛时期,所产瓷器以制作精良闻名遐迩；界定青花瓷发展顶峰时期的作品是清康熙时期的加彩青花；直至清朝,从乾隆以后由于粉彩瓷的兴起加彩青花逐步走向衰落,到了明代中晚期,青花的绘画技法开始与中国传统的水墨画技法相结合,并吸收和借鉴了其技法的精华元素。 本文主要针对我国古代不同时期青花人物纹饰的不同题材特点来进行研究与比较,着重阐明了不同的造型形式和青花人物纹饰装饰位置的关系。同时也从中国古代传统山水画以及明清时期的版画中汲取、借鉴对青花纹饰创新有用的技法,发现不同时代的青花人物纹饰题材各有其不同的艺术特征,本文立足青花瓷的发展史,认为对青花瓷作品的欣赏必须和当时的时代特征相符合,只有具备了时代特色和个性的青花瓷作品才有其收藏的价值。不仅是青花瓷,所有作品也都是同样的道理,作品要以反映现实生活为主,要体现其时代性。
[Abstract]:Ceramics is not only a great invention of the ancient Chinese nation, but also a new cultural heritage. Porcelain is an important carrier to inherit and carry forward the ancient Chinese civilization, it is an important witness of our nation to the whole country and even the world culture. The pattern of characters painted on ceramics has a long history and can be traced back to primitive society. The famous "Dance Color Pottery Basin" was unearthed in Sun Jiazhai, Datong County, Qinghai Province. it portrays a group of girls dancing hand in hand. Yuanqinghua is the first peak in the history of ceramic development. Through the traditional depiction technique, it is lined with blue ornaments on top of the plain tire. The bright color, bright, clean, simple and elegant picture is full of the funny Chinese traditional ink painting. Among the many characters of Yuan Qinghua, the ornamentation of historical story is the first, because its existence is very rare, so it has become a special object worthy of study. Yuan blue and white character story ornamentation, as one of the most brilliant indicator lights in Chinese porcelain, has become the first delicacy in the history of Chinese ceramics because of its superb skills, brilliant art and historical value. Due to the development of Yuan opera, the prevalence of novels and the development of printmaking, the decoration of character ornaments has also developed, among which the rapid development is the theme of historical character stories. This cannot be compared with other times. The Ming and Qing dynasties was a transitional period in which the development of blue and white porcelain changed from prosperity to decline. During this period, the Ming Yongle and Xuande period was a particularly noteworthy period, which was the heyday of its development, and the porcelain produced was famous for its excellent production. It is defined that the works in the peak period of blue and white porcelain development are the colorful blue and white flowers in the Kangxi period of Qing Dynasty. Until the Qing Dynasty, after Qianlong, because of the rise of pink porcelain, colorful blue and white flowers gradually declined, to the middle and late Ming Dynasty, blue and white painting techniques began to be combined with Chinese traditional ink painting techniques, and absorbed and used for reference the essence of its techniques. This paper mainly studies and compares the different theme characteristics of blue and white character ornaments in different periods of ancient China, and focuses on the relationship between different modeling forms and the decoration position of blue and white characters. At the same time, it is also drawn from the ancient Chinese traditional landscape painting and the printmaking of the Ming and Qing dynasties, and draws lessons from the useful techniques for the innovation of blue and white ornaments, and finds that the theme of blue and white characters ornamentation in different times has its own different artistic characteristics. Based on the development history of blue and white porcelain, this paper holds that the appreciation of blue and white porcelain works must be in line with the characteristics of the times at that time, and only blue and white porcelain works with the characteristics and personality of the times have their own collection value. Not only blue and white porcelain, all works are the same truth, works to reflect real life, to reflect its times.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2476110
[Abstract]:Ceramics is not only a great invention of the ancient Chinese nation, but also a new cultural heritage. Porcelain is an important carrier to inherit and carry forward the ancient Chinese civilization, it is an important witness of our nation to the whole country and even the world culture. The pattern of characters painted on ceramics has a long history and can be traced back to primitive society. The famous "Dance Color Pottery Basin" was unearthed in Sun Jiazhai, Datong County, Qinghai Province. it portrays a group of girls dancing hand in hand. Yuanqinghua is the first peak in the history of ceramic development. Through the traditional depiction technique, it is lined with blue ornaments on top of the plain tire. The bright color, bright, clean, simple and elegant picture is full of the funny Chinese traditional ink painting. Among the many characters of Yuan Qinghua, the ornamentation of historical story is the first, because its existence is very rare, so it has become a special object worthy of study. Yuan blue and white character story ornamentation, as one of the most brilliant indicator lights in Chinese porcelain, has become the first delicacy in the history of Chinese ceramics because of its superb skills, brilliant art and historical value. Due to the development of Yuan opera, the prevalence of novels and the development of printmaking, the decoration of character ornaments has also developed, among which the rapid development is the theme of historical character stories. This cannot be compared with other times. The Ming and Qing dynasties was a transitional period in which the development of blue and white porcelain changed from prosperity to decline. During this period, the Ming Yongle and Xuande period was a particularly noteworthy period, which was the heyday of its development, and the porcelain produced was famous for its excellent production. It is defined that the works in the peak period of blue and white porcelain development are the colorful blue and white flowers in the Kangxi period of Qing Dynasty. Until the Qing Dynasty, after Qianlong, because of the rise of pink porcelain, colorful blue and white flowers gradually declined, to the middle and late Ming Dynasty, blue and white painting techniques began to be combined with Chinese traditional ink painting techniques, and absorbed and used for reference the essence of its techniques. This paper mainly studies and compares the different theme characteristics of blue and white character ornaments in different periods of ancient China, and focuses on the relationship between different modeling forms and the decoration position of blue and white characters. At the same time, it is also drawn from the ancient Chinese traditional landscape painting and the printmaking of the Ming and Qing dynasties, and draws lessons from the useful techniques for the innovation of blue and white ornaments, and finds that the theme of blue and white characters ornamentation in different times has its own different artistic characteristics. Based on the development history of blue and white porcelain, this paper holds that the appreciation of blue and white porcelain works must be in line with the characteristics of the times at that time, and only blue and white porcelain works with the characteristics and personality of the times have their own collection value. Not only blue and white porcelain, all works are the same truth, works to reflect real life, to reflect its times.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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，本文编号：2476110
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