明代戏曲插图研究
发布时间：2019-05-14 04:01
【摘要】：明代可以说是中国戏曲插图发展史上的顶峰时期，随着世俗文化的发展和印刷技艺的提高，插图也随之兴盛，并达到了相当高的艺术水平，成为明代的一朵奇葩。关于明代戏曲，前人对戏曲文学内容和舞台艺术这些领域的研究已经十分透彻，但对其插图中所包含的价值却研究甚少。 人物塑造方面，明代戏曲插图通过外部的形象刻绘和内部的心理描摹，神情、姿态、动作形成对戏曲人物的塑造。 情节结构方面，插图者多选择表现戏曲的主要情节内容和凸显戏剧冲突的事件，画面多剑拔弩张，侧重于叙事描绘。 主题表达方面，戏曲插图多是围绕戏曲标题展开绘画，透过插图便可以了解戏曲主题。 母题方面，插图中多出现同一个情节单元，比如“送别”“战乱”“旧遇”等场景意向，形成了一个母题。通常由一个母题会链接出多个子母题，比如在“才子佳人”这个母题下，会链接出“丫鬟牵线”“家长阻挠”“神仙助力”等子母题。 场景意境方面，插图者选择描写景物环境的意境和梦境，并融入人物的情感，“情”“景”共生意境。 社会文化生活方面，透过明代戏曲插图，可以了解明代的居室建筑、服饰和社会习俗，把握明人的社会文化生活。 进入明代后，戏曲插图艺术发展到黄金阶段，无论是数量上，还是质量上都有很大的飞跃，，横向和纵向分析归纳戏曲插图中的特点，可以研究插图与文学的关系，可以通过研究插图来观照明代社会文化生活面貌，因此具有广泛的文学价值和社会意义。
[Abstract]:The Ming Dynasty can be said to be the peak period in the history of the development of Chinese opera illustration. With the development of secular culture and the improvement of printing skills, the illustration also flourished, and reached a quite high artistic level, and became a wonderful work in the Ming Dynasty. With regard to Ming Dynasty opera, the previous research on the content of opera literature and stage art has been very thorough, but there is little research on the value contained in its illustration. In the aspect of characterization, Ming Dynasty opera illustration forms the shaping of opera characters through external image engraving and internal psychological description, expression, posture and action. In the aspect of plot structure, the illustrators choose to express the main plot content of opera and highlight the events of drama conflict, and the picture is tense, with emphasis on narrative description. In terms of theme expression, opera illustration is mostly about opera title painting, through which we can understand the theme of opera. In the aspect of motif, the same plot unit appears in the illustration, such as "farewell", "war chaos", "old encounter" and so on, which forms a motif. Usually, a motif will link out multiple sub-motif, such as "talented and beautiful", will link to "servant girl tie line", parents obstruct "immortal power" and other sub-motif. In the aspect of scene artistic conception, the illustrator chooses to describe the artistic conception and dream of the scene environment, and to integrate the emotion of the characters and the symbiotic artistic conception of "emotion" and "scene". In the aspect of social and cultural life, through the illustration of Ming Dynasty opera, we can understand the bedroom architecture, clothing and social customs of Ming Dynasty, and grasp the social and cultural life of Ming people. After entering the Ming Dynasty, the art of opera illustration developed to the golden stage, both quantitatively and qualitatively, and analyzed and summarized the characteristics of opera illustration horizontally and vertically, so as to study the relationship between illustration and literature. The social and cultural life of Ming Dynasty can be observed by studying the illustration, so it has a wide range of literary value and social significance.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5
本文编号：2476420
[Abstract]:The Ming Dynasty can be said to be the peak period in the history of the development of Chinese opera illustration. With the development of secular culture and the improvement of printing skills, the illustration also flourished, and reached a quite high artistic level, and became a wonderful work in the Ming Dynasty. With regard to Ming Dynasty opera, the previous research on the content of opera literature and stage art has been very thorough, but there is little research on the value contained in its illustration. In the aspect of characterization, Ming Dynasty opera illustration forms the shaping of opera characters through external image engraving and internal psychological description, expression, posture and action. In the aspect of plot structure, the illustrators choose to express the main plot content of opera and highlight the events of drama conflict, and the picture is tense, with emphasis on narrative description. In terms of theme expression, opera illustration is mostly about opera title painting, through which we can understand the theme of opera. In the aspect of motif, the same plot unit appears in the illustration, such as "farewell", "war chaos", "old encounter" and so on, which forms a motif. Usually, a motif will link out multiple sub-motif, such as "talented and beautiful", will link to "servant girl tie line", parents obstruct "immortal power" and other sub-motif. In the aspect of scene artistic conception, the illustrator chooses to describe the artistic conception and dream of the scene environment, and to integrate the emotion of the characters and the symbiotic artistic conception of "emotion" and "scene". In the aspect of social and cultural life, through the illustration of Ming Dynasty opera, we can understand the bedroom architecture, clothing and social customs of Ming Dynasty, and grasp the social and cultural life of Ming people. After entering the Ming Dynasty, the art of opera illustration developed to the golden stage, both quantitatively and qualitatively, and analyzed and summarized the characteristics of opera illustration horizontally and vertically, so as to study the relationship between illustration and literature. The social and cultural life of Ming Dynasty can be observed by studying the illustration, so it has a wide range of literary value and social significance.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5
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