时代的缩影—中国现代风俗题材油画的文化意蕴
发布时间：2019-05-14 13:33
【摘要】：本文从油画进入中国以来与传统文化逐渐结合的历史脉搏来分析解读风俗题材油画在发展过程中角色的转换和衍生的意义。绘画是人类的天性，任何一个孩子都有作画的本能冲动，作为表达感情和寄托心愿的工具，绘画甚至早于文字受到人类的青睐，所以如今我们能从洞壁上看到原始祖先留下的画作。值得称奇的是祖先们留下的画作内容竟然相当符合当今学术界对风俗画的定义，再通过研究传世的珍贵画像作品发现风俗题材绘画与人类的文明形影相随，在不同的民族、不同的时代发挥着不同的作用，因此将风俗题材绘画称之为时代的缩影再恰当不过了。 历史的长河中，，任何一个时段的文明、科技进步都不及20世纪以来的现代，所以选题的时代范围精缩在现代，加上出于对本民族民俗文化的热爱以及自身从事油画专业等因素，本文着重研究中国范围内的风俗题材油画。文章按照时段梳理油画自进入中国以后的发展状况，并对不同时期的风俗题材油画所反映的文化意蕴做出分析；对不同地域的艺术家所特有的本土情结做出阐述；以及对民间美术给予风俗题材油画的影响的论证，为此搜集了大量例证做辅助。文章结尾以展望的眼光看待全球化时代下风情民俗画的前景，希望在未来风情民俗画能够带着中华民族的血液行走世界。
[Abstract]:From the historical pulse of the gradual combination of oil painting and traditional culture since oil painting entered China, this paper analyzes and interprets the significance of the transformation and derivation of the role of custom oil painting in the process of development. Painting is the nature of human beings. Any child has the instinctive impulse to paint. As a tool to express feelings and aspirations, painting is even favored by human beings earlier than words. So now we can see the paintings left by the primitive ancestors from the walls of the cave. It is surprising that the contents of the paintings left by our ancestors are quite in line with the definition of popular paintings in today's academic circles. Then, through the study of the precious portrait works handed down from generation to generation, it is found that the paintings of custom subjects are accompanied by the human civilization, in different nationalities. Different times play different roles, so it is most appropriate to call custom painting the microcosm of the times. In the long history, the civilization and scientific and technological progress at any one time are not as good as the modern since the 20th century, so the scope of the selected topic is condensed in the modern, coupled with the love of the folk culture of our own nation and the fact that they are engaged in oil painting major and other factors. This paper focuses on the study of custom oil paintings in China. According to the period of time, this paper combs the development of oil painting since entering China, and analyzes the cultural implication reflected by the custom oil painting in different periods, and expounds the unique local complex of artists in different regions. As well as the folk art to the influence of custom oil painting, for which a large number of examples have been collected as auxiliary. At the end of the article, we look at the prospect of amorous custom painting in the era of globalization from the perspective of prospect, and hope that the folk custom painting can walk the world with the blood of the Chinese nation in the future.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2476758
[Abstract]:From the historical pulse of the gradual combination of oil painting and traditional culture since oil painting entered China, this paper analyzes and interprets the significance of the transformation and derivation of the role of custom oil painting in the process of development. Painting is the nature of human beings. Any child has the instinctive impulse to paint. As a tool to express feelings and aspirations, painting is even favored by human beings earlier than words. So now we can see the paintings left by the primitive ancestors from the walls of the cave. It is surprising that the contents of the paintings left by our ancestors are quite in line with the definition of popular paintings in today's academic circles. Then, through the study of the precious portrait works handed down from generation to generation, it is found that the paintings of custom subjects are accompanied by the human civilization, in different nationalities. Different times play different roles, so it is most appropriate to call custom painting the microcosm of the times. In the long history, the civilization and scientific and technological progress at any one time are not as good as the modern since the 20th century, so the scope of the selected topic is condensed in the modern, coupled with the love of the folk culture of our own nation and the fact that they are engaged in oil painting major and other factors. This paper focuses on the study of custom oil paintings in China. According to the period of time, this paper combs the development of oil painting since entering China, and analyzes the cultural implication reflected by the custom oil painting in different periods, and expounds the unique local complex of artists in different regions. As well as the folk art to the influence of custom oil painting, for which a large number of examples have been collected as auxiliary. At the end of the article, we look at the prospect of amorous custom painting in the era of globalization from the perspective of prospect, and hope that the folk custom painting can walk the world with the blood of the Chinese nation in the future.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前3条
1 陈池瑜;兴成教化与中国人物画的功能[J];东南大学学报(哲学社会科学版);2003年05期
2 畏冬;中国古代风俗画概论(上)[J];故宫博物院院刊;1991年03期
3 李永林;;五代两宋辽金时期的政治军事题材绘画[J];解放军艺术学院学报;2007年04期
本文编号：2476758
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