浅析不同时期中国油画创作主体的情趣性传达
发布时间：2019-05-17 03:09
【摘要】：油画这个外来艺术门类自明代开始传入中国，从一个不被认可的陌生艺术形式到现当代油画多元化，经历了400多年的历史，由于不同的历史状态、不同的文化背景、不同的社会制度等诸多因素，油画在这漫长的发展过程中所传达出的情趣特征随着时间的推移也出现了几个阶段性的转变。本文将油画从传入到多元化发展的长期过程划分为六个具体的时间段，并考察每个时间段的历史事实，结合当时的文化背景，社会状况和国家制度等等不同因素对每个阶段的油画情趣性传达做出一个总结和归纳，进而认识到油画艺术的情趣性传达在当代的意义。 本文分为五个章节来完成以上内容的阐述。第一章为对“情趣”一词的认识，，其中分别从“情趣”的本意和本文中所指“情趣”的含义这两部分进行解释。第二章认识中国油画的创作主体对于本文的意义。第三章绘画作品情趣性源头的历史追溯，分别从中西方绘画史中寻找油画中情趣性传达的最初状态。第四章浅析不同时期中国油画创作主体的情趣性表现。这一部分分别从六个具体的时间段进行分析，第一段为油画的传入阶段，第二段为社会变革时期，第三段为制度模式的改变期，第四段为文革美术时期，第五段为文革后伤痕油画与85思潮，第六段为20世纪90年代以来的油画。每一段分别从文化时代背景和创作主体的精神追求与审美情趣方面进行阐述。具有连贯性的对这六个阶段创作主体的内在精神和情趣传达进行了研究和总结。第五章分析油画的情趣性在当代的意义。
[Abstract]:Oil painting, a foreign category of art, has been introduced into China since the Ming Dynasty, from an unrecognized strange art form to the diversification of modern and contemporary oil painting. It has experienced a history of more than 400 years, due to different historical states and different cultural backgrounds. Different social systems and many other factors, oil painting in this long process of development conveyed by the characteristics of several stages of change with the passage of time. In this paper, the long-term process of oil painting from introduction to diversification is divided into six specific time periods, and the historical facts of each time period are investigated, combined with the cultural background at that time. Different factors, such as social situation and national system, make a summary and induction of the interesting communication of oil painting in each stage, and then realize the significance of the interesting communication of oil painting art in the contemporary era. This paper is divided into five chapters to complete the above content. The first chapter is the understanding of the word "interest", which is explained from the original meaning of "interest" and the meaning of "interest" in this paper. The second chapter understands the significance of the main body of Chinese oil painting for this paper. The third chapter traces the source of interest in painting works, and looks for the initial state of interest transmission in oil painting from the history of painting in China and the West. The fourth chapter analyzes the interest performance of the main body of Chinese oil painting creation in different periods. This part is analyzed from six specific time periods, the first is the introduction stage of oil painting, the second is the period of social change, the third is the period of institutional model, and the fourth is the art period of the Cultural Revolution. The fifth section is the oil painting after the Cultural Revolution and the 85 trend of thought, and the sixth paragraph is the oil painting since the 1990 s. Each paragraph is expounded from the cultural background and the spiritual pursuit and aesthetic taste of the creative subject. The internal spirit and interest communication of the creative subjects in these six stages are studied and summarized in a coherent way. The fifth chapter analyzes the significance of oil painting in the contemporary era.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2478759
[Abstract]:Oil painting, a foreign category of art, has been introduced into China since the Ming Dynasty, from an unrecognized strange art form to the diversification of modern and contemporary oil painting. It has experienced a history of more than 400 years, due to different historical states and different cultural backgrounds. Different social systems and many other factors, oil painting in this long process of development conveyed by the characteristics of several stages of change with the passage of time. In this paper, the long-term process of oil painting from introduction to diversification is divided into six specific time periods, and the historical facts of each time period are investigated, combined with the cultural background at that time. Different factors, such as social situation and national system, make a summary and induction of the interesting communication of oil painting in each stage, and then realize the significance of the interesting communication of oil painting art in the contemporary era. This paper is divided into five chapters to complete the above content. The first chapter is the understanding of the word "interest", which is explained from the original meaning of "interest" and the meaning of "interest" in this paper. The second chapter understands the significance of the main body of Chinese oil painting for this paper. The third chapter traces the source of interest in painting works, and looks for the initial state of interest transmission in oil painting from the history of painting in China and the West. The fourth chapter analyzes the interest performance of the main body of Chinese oil painting creation in different periods. This part is analyzed from six specific time periods, the first is the introduction stage of oil painting, the second is the period of social change, the third is the period of institutional model, and the fourth is the art period of the Cultural Revolution. The fifth section is the oil painting after the Cultural Revolution and the 85 trend of thought, and the sixth paragraph is the oil painting since the 1990 s. Each paragraph is expounded from the cultural background and the spiritual pursuit and aesthetic taste of the creative subject. The internal spirit and interest communication of the creative subjects in these six stages are studied and summarized in a coherent way. The fifth chapter analyzes the significance of oil painting in the contemporary era.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前1条
1 钟汉滨;;浅谈纳比派的绘画艺术[J];青年文学家;2011年20期
本文编号：2478759
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