论日本肖像画的发展与演变
发布时间：2019-05-20 15:37
【摘要】：日本画的发展离不开中国的影响。遣唐使的归来不仅从物质上丰富了他们的生活，同时把日本文化推到了绝对性的转折点上。中国画可以说是日本画的母亲，无论在文字上或者绘画上日本开始学习中国的形式。“唐绘”成为他们绘画发展的母体。关于日本肖像画的研究目前为止在日本国内也很少能看到专门的考证文献。可以确定肖像画在日本画中有着独立的地位，然而很少有关于其研究或者绘画作品的原因，在于肖像画本身的难易度之高以及与在日本绘画史上它发展的时期和历史背景有关。日本画建立于中国绘画与西洋绘画的基础之上，是加上了日本独特的文化要素后发展出的新型的独有绘画形式。然而日本肖像画由于时代性和目的性等客观条件的未成熟而没有被过多加工，保持了它本身的样子。可以说日本肖像画是一个很精粹的艺术领域。我把焦点放到了这个不主流却很重要的题目上，，希望以后有更多的人能知道它的独特性与重要性。
[Abstract]:The development of Japanese painting can not be separated from the influence of China. The return of the emissary not only enriched their lives materially, but also pushed Japanese culture to a absolute turning point. Chinese painting can be said to be the mother of Japanese painting, whether in words or paintings, Japan began to learn Chinese form. Tang painting became the mother of their painting development. So far, the study of Japanese portraits has rarely seen special textual research literature in Japan. It can be determined that portrait painting has an independent position in Japanese painting, but there are few reasons for its research or painting work, which is due to the high difficulty of portrait painting itself and its development period and historical background in the history of Japanese painting. Japanese painting is based on Chinese painting and western painting. It is a new and unique painting form developed after adding the unique cultural elements of Japan. However, Japanese portraits have not been overprocessed because of the immaturity of objective conditions such as the times and the purpose, so they have maintained their own appearance. It can be said that Japanese portrait painting is a very quintessence of the art field. I focus on this non-mainstream but very important topic, hoping that more people will know its uniqueness and importance in the future.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2481747
[Abstract]:The development of Japanese painting can not be separated from the influence of China. The return of the emissary not only enriched their lives materially, but also pushed Japanese culture to a absolute turning point. Chinese painting can be said to be the mother of Japanese painting, whether in words or paintings, Japan began to learn Chinese form. Tang painting became the mother of their painting development. So far, the study of Japanese portraits has rarely seen special textual research literature in Japan. It can be determined that portrait painting has an independent position in Japanese painting, but there are few reasons for its research or painting work, which is due to the high difficulty of portrait painting itself and its development period and historical background in the history of Japanese painting. Japanese painting is based on Chinese painting and western painting. It is a new and unique painting form developed after adding the unique cultural elements of Japan. However, Japanese portraits have not been overprocessed because of the immaturity of objective conditions such as the times and the purpose, so they have maintained their own appearance. It can be said that Japanese portrait painting is a very quintessence of the art field. I focus on this non-mainstream but very important topic, hoping that more people will know its uniqueness and importance in the future.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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