中国当代油画的影像化表达探究
发布时间：2019-05-24 19:41
【摘要】：在多媒体图像充斥在生活的各个空间的时代,绘画与影像的界限渐渐模糊。影像开始在绘画的创作中承担着重要的地位。影像以其资料获得的简易性、快捷性,为绘画创作提供了极大的方便,是绘画创作中不可多得的重要素材。作为大众文化的重要载体,影像本身的社会含义、精神意味也被绘画创作大量的借用,进一步深化了绘画所能企及的思想深度。“影像绘画”就是这一时代的产物,它用一种绘画的方式来表达影像的视觉效果,是绘画方式的一种新的艺术表达手段,由此,“影像绘画”在中国当代艺术中逐渐产生影响,并引起众人的关注。舒阳于2004年正式提出“中国影像绘画”的概念,来匹配这一绘画现象。同时,因为“中国影像绘画”在对公共图像的选择上并没有原创性,也不具有对影像形象的解释性,更容易使观众走进艺术家要表达的主体之中。 本文选取中国当代油画的影像化表达作为研究对象,从探究和实践的角度分析影像绘画在当代油画发展中的现状,剖析当代油画中的影像化现象,研究中国影像绘画艺术家的本土实验成果,旨在加深人们对中国当代油画的影像化表达的系统认识。该项探究,对笔者明确绘画创作方向起到了指导性作用,同时也引发笔者对中国当代艺术做一些有价值的思考。 论文主要有四个部分内容。第一部分阐述中国当代油画影像化表达的历史渊源。第二部分着重讨论中国“影像绘画”艺术家将影像化表达和本土文化相结合所体现出的“中国影像绘画”的双重性——绘画性与文化性,同时梳理出给当代艺术带来新鲜活力的影像化表达的新兴力量。第三部分探究油画的影像化表达的价值及其对中国当代艺术的影响。第四部分是就文本观点结合笔者的油画创作实践进行论述,对中国当代油画的影像化表达的发展方向,提出自己的思考和设想。
[Abstract]:In the era of multimedia images flooding all the spaces of life, the boundary between painting and images is gradually blurring. Image begins to assume an important position in the creation of painting. Because of the simplicity and rapidity of its data, image provides great convenience for painting creation, and is a rare and important material in painting creation. As an important carrier of popular culture, the social meaning and spiritual meaning of image itself are also borrowed a lot by painting creation, which further deepens the ideological depth that painting can reach. "Image painting" is the product of this era, it uses a kind of painting way to express the visual effect of the image, is a new artistic expression means of the painting way, thus, "image painting" has gradually had the influence in the Chinese contemporary art. And attract people's attention. Shuyang formally put forward the concept of "Chinese image painting" in 2004 to match this painting phenomenon. At the same time, because "Chinese Image painting" has no originality in the choice of public images, nor does it have an explanation of image images, it is easier for the audience to enter the main body to be expressed by artists. This paper selects the visualization expression of Chinese contemporary oil painting as the research object, analyzes the present situation of image painting in the development of contemporary oil painting from the perspective of inquiry and practice, and analyzes the visualization phenomenon in contemporary oil painting. The purpose of studying the local experimental results of Chinese image painting artists is to deepen people's systematic understanding of the visualization expression of Chinese contemporary oil painting. This inquiry plays a guiding role in the author's clear direction of painting creation, and at the same time causes the author to do some valuable thinking on Chinese contemporary art. There are four main parts of the paper. The first part expounds the historical origin of the visual expression of contemporary Chinese oil painting. The second part focuses on the duality of "Chinese image painting", which is embodied by the combination of visual expression and local culture by Chinese "image painting" artists. At the same time, combing out the new force of visual expression that brings fresh vitality to contemporary art. The third part explores the value of visual expression of oil painting and its influence on Chinese contemporary art. The fourth part discusses the text point of view combined with the author's oil painting creation practice, and puts forward his own thoughts and ideas on the development direction of the visual expression of Chinese contemporary oil painting.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2485129
[Abstract]:In the era of multimedia images flooding all the spaces of life, the boundary between painting and images is gradually blurring. Image begins to assume an important position in the creation of painting. Because of the simplicity and rapidity of its data, image provides great convenience for painting creation, and is a rare and important material in painting creation. As an important carrier of popular culture, the social meaning and spiritual meaning of image itself are also borrowed a lot by painting creation, which further deepens the ideological depth that painting can reach. "Image painting" is the product of this era, it uses a kind of painting way to express the visual effect of the image, is a new artistic expression means of the painting way, thus, "image painting" has gradually had the influence in the Chinese contemporary art. And attract people's attention. Shuyang formally put forward the concept of "Chinese image painting" in 2004 to match this painting phenomenon. At the same time, because "Chinese Image painting" has no originality in the choice of public images, nor does it have an explanation of image images, it is easier for the audience to enter the main body to be expressed by artists. This paper selects the visualization expression of Chinese contemporary oil painting as the research object, analyzes the present situation of image painting in the development of contemporary oil painting from the perspective of inquiry and practice, and analyzes the visualization phenomenon in contemporary oil painting. The purpose of studying the local experimental results of Chinese image painting artists is to deepen people's systematic understanding of the visualization expression of Chinese contemporary oil painting. This inquiry plays a guiding role in the author's clear direction of painting creation, and at the same time causes the author to do some valuable thinking on Chinese contemporary art. There are four main parts of the paper. The first part expounds the historical origin of the visual expression of contemporary Chinese oil painting. The second part focuses on the duality of "Chinese image painting", which is embodied by the combination of visual expression and local culture by Chinese "image painting" artists. At the same time, combing out the new force of visual expression that brings fresh vitality to contemporary art. The third part explores the value of visual expression of oil painting and its influence on Chinese contemporary art. The fourth part discusses the text point of view combined with the author's oil painting creation practice, and puts forward his own thoughts and ideas on the development direction of the visual expression of Chinese contemporary oil painting.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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，本文编号：2485129
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