吸古纳今:从王诜《烟江叠嶂图》管窥其画史观念
发布时间：2019-06-09 19:48
【摘要】：本文旨在通过图像、文献的互证来解决王诜《烟江叠嶂图》对古今诸位画家艺术思想、风格、图式与母题的借鉴融合,并由此来探寻隐藏其后的王诜画史观念。王诜作品在吸古纳今过程中,采用错位、挪移、借用、改造等为手段的"移图"与"造化"并重,独创新格。其创作开始由"写真"转向"写心",并呈现程式化倾向。
[Abstract]:The purpose of this paper is to solve Wang Sheng's artistic thought, style, schema and motif of ancient and modern painters through the mutual proof of images and documents, and to explore the hidden concept of Wang Sheng's painting history. In the process of absorbing ancient and modern works, Wang Sheng's works pay equal attention to both "moving graph" and "creating new case" by means of dislocation, movement, borrowing and transformation. His creation began to change from "portrait" to "freehand brushwork", and showed a stylized tendency.
【作者单位】： 华东师范大学艺术研究所;
【分类号】：J212
[Abstract]:The purpose of this paper is to solve Wang Sheng's artistic thought, style, schema and motif of ancient and modern painters through the mutual proof of images and documents, and to explore the hidden concept of Wang Sheng's painting history. In the process of absorbing ancient and modern works, Wang Sheng's works pay equal attention to both "moving graph" and "creating new case" by means of dislocation, movement, borrowing and transformation. His creation began to change from "portrait" to "freehand brushwork", and showed a stylized tendency.
【作者单位】： 华东师范大学艺术研究所;
【分类号】：J212
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3 搤拃，
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