明刊本《牡丹亭》插图比较研究
发布时间：2019-06-10 12:42
【摘要】：在晚明版画插图短暂而辉煌的历史发展中，产生了众多优秀的版画插图作品，，《牡丹亭》就是其中非常重要的作品。作为晚明剧作家汤显祖的名作，《牡丹亭》在晚明的问世引起了极大的轰动，同时也在当时拥有着众多的刊本。在这些众多的刊本中许多印有精美的插图，本论文即是针对晚明时期不同刊本的《牡丹亭》插图展开的研究。 本论文以时间为顺序，将明万历时期的《牡丹亭》刊本与明万历之后的《牡丹亭》插图分开讨论，主要从对同一故事情节中不同的图式表现入手，分析《牡丹亭》版画插图在明代的演变，从中发掘不同版本插图之间的异同。在插图的演变过程中，一些特定的图式往往发挥了关键的作用。这种作用使得插图能够很好的表现特定的故事，同时也能够使得插图适应不同风格的变化。图式在晚明插图的演变中发挥了怎样的重要的作用，这将会成为今后研究值得关注的一个重要问题。
[Abstract]:In the short and brilliant historical development of printmaking in the late Ming Dynasty, many excellent printmaking illustration works have been produced, and Peony Pavilion is one of the most important works. As a famous work of Tang Xianzu, a playwright in the late Ming Dynasty, the Peony Pavilion caused a great stir in the late Ming Dynasty, and also had a large number of editions at that time. In many of these editions, many of them are beautifully illustrated. This paper is a research on the illustration of Peony Pavilion in different editions in the late Ming Dynasty. In this paper, in the order of time, the publication of Peony Pavilion in Ming Wanli period and the illustration of Peony Pavilion after Ming Wanli period are discussed separately, mainly from the different schematic expressions in the same story plot. This paper analyzes the evolution of printmaking illustration of Peony Pavilion in Ming Dynasty, and explores the similarities and differences between different versions of illustration. In the evolution of illustration, some specific schemata often play a key role. This effect enables the illustration to express the specific story very well, at the same time, it can also make the illustration adapt to the change of different style. How important the schema plays in the evolution of the illustration in the late Ming Dynasty will become an important issue worthy of attention in the future.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5
本文编号：2496457
[Abstract]:In the short and brilliant historical development of printmaking in the late Ming Dynasty, many excellent printmaking illustration works have been produced, and Peony Pavilion is one of the most important works. As a famous work of Tang Xianzu, a playwright in the late Ming Dynasty, the Peony Pavilion caused a great stir in the late Ming Dynasty, and also had a large number of editions at that time. In many of these editions, many of them are beautifully illustrated. This paper is a research on the illustration of Peony Pavilion in different editions in the late Ming Dynasty. In this paper, in the order of time, the publication of Peony Pavilion in Ming Wanli period and the illustration of Peony Pavilion after Ming Wanli period are discussed separately, mainly from the different schematic expressions in the same story plot. This paper analyzes the evolution of printmaking illustration of Peony Pavilion in Ming Dynasty, and explores the similarities and differences between different versions of illustration. In the evolution of illustration, some specific schemata often play a key role. This effect enables the illustration to express the specific story very well, at the same time, it can also make the illustration adapt to the change of different style. How important the schema plays in the evolution of the illustration in the late Ming Dynasty will become an important issue worthy of attention in the future.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5
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