胡粹中与倪贻德水彩画比较研究

发布时间：2019-06-11 02:37

【摘要】：本文选择了民国时期的水彩画家胡粹中和倪贻德作为研究对象,从两人的从艺经历入手,结合二十世纪初东西文化交融碰撞的时代背景,以及新文化运动推动了中国艺术革命,从而使胡粹中与倪贻德形成了不同艺术风格的客观因素。在本文主要运用比较研究的方法,从他们的选题开始分析,进而论证以胡粹中为例子的写实性水彩和以倪贻德为例子的写意性水彩的形成。对比两位画家的艺术语言。并从中西绘画两方面分析胡粹中、倪贻德受到的影响以及体现绘画中的民族化。通过对胡粹中与倪贻德老一辈水彩画家的对比,证实中国水彩从民国时期就已形成了写实性和写意性,并延续至今,同时,这两种发展趋势它们虽然都是西画,但是已经在本土生根发芽,成为了具有中国本土特色和新的艺术表现形式。
[Abstract]:This paper selects Hu Jin and Ni Yide, a watercolor painter in the Republic of China, as the object of study, starting with their artistic experience, combining with the background of the collision of East and West cultures at the beginning of the 20th century, and that the New Culture Movement promoted the Chinese artistic revolution. As a result, Hu Zhonzhong and Ni Yide formed objective factors of different artistic styles. In this paper, we mainly use the method of comparative study to analyze their selected topics, and then demonstrate the formation of realistic watercolor with Hu Zhonzhong as an example and freehand watercolor with Ni Yide as an example. Compare the artistic language of the two painters. The influence of Ni Yide and the nationalization of painting are analyzed from two aspects of Chinese and Western painting. Through the comparison between Hu Junzhong and Ni Yide's older generation of watercolor painters, it is proved that Chinese watercolor has formed realism and freehand brushwork since the period of the Republic of China, and continues to this day. At the same time, although these two development trends are both western paintings, However, it has taken root and sprouted in China and has become a new form of artistic expression with Chinese local characteristics.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J215

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