试论中国当代新具象绘画的荒诞性
发布时间：2019-06-15 04:19
【摘要】：新具象绘画作为当代绘画中一种特有的艺术语言形式,经历了较长一段时间的发展与更新,形成了今天独特的艺术面貌。它所体现的魅力不仅仅是具体形象的再现物象本身的视觉效果,当下的新具象绘画也从技术本身与思想传递的角度给人发人深思的功效。在当下的新具象油画语言虽然处在实践发展中,但在艺术创新和探索方面为中国的美术发展起到了一定推动作用。 当西方现代观念以开放的形式进入中国艺术领域之初,一些艺术家不再按照对社会的共同理解来进行创作,而是以一种新的哲学理念直面人生,每个人可以从不相同的体验与独特的方式出发,描绘自己看到的世界,不少艺术家对于以往美术创作宏大的历史叙事采取断然的拒绝,他们开始关心个体本身的体验,他们关注的是个体生命与心灵世界的原生状态,作品突出了日常生活的因素,并且以此形成了新的审美原则。其中一批在创作题材和表现手法上具有荒诞性特征的当代艺术群体,逐渐形成了独特的个人创作风格,创作出了许多惊世骇俗的作品。当然强烈的个人化创作倾向并不意味着放弃对于社会现实的关注,美术创作应更多地从个人的立场去理解社会,以自己独特的方式表达对现实的情感和态度。 本文将新具象油画中荒诞性语言单独提取出来,希望通过对新具象绘画荒诞性因素的论述,对具体画家的作品进行分析,提升对“荒诞性”油画的语言的深层理解,探究“荒诞性”对中国当代绘画艺术的现实意义,反思西方观念形态影响下中国新具象绘画“荒诞性”的存在与价值。
[Abstract]:As a unique artistic language form in contemporary painting, new figurative painting has experienced a long period of development and renewal, forming today's unique artistic appearance. The charm it embodies is not only the visual effect of the concrete image itself, but also the thought-provoking effect of the new figurative painting from the point of view of technology itself and thought transmission. Although the new figurative oil painting language is in the process of practical development, it has played a certain role in promoting the development of Chinese art in terms of artistic innovation and exploration. When the western modern concept entered the field of Chinese art in an open form, some artists no longer created in accordance with the common understanding of society, but faced life with a new philosophical idea. Everyone can start from the same experience and unique way and depict the world they see. Many artists have categorically rejected the grand historical narrative of art creation in the past. They begin to care about the individual's own experience, they pay attention to the individual life and the original state of the spiritual world, the works highlight the factors of daily life, and thus form a new aesthetic principle. Among them, a group of contemporary art groups with absurd characteristics in creative subject matter and expression techniques have gradually formed a unique personal creative style and created many appalling works. Of course, the strong tendency of individualized creation does not mean giving up the attention to social reality, art creation should more from the personal point of view to understand the society, in their own unique way to express their feelings and attitudes towards reality. This paper abstracts the absurd language from the new figurative oil painting separately, hoping to analyze the works of the specific painters through the discussion of the absurd factors of the new figurative painting, to improve the deep understanding of the language of the "absurd" oil painting, to explore the practical significance of the "absurd" to the contemporary Chinese painting art, and to reflect on the existence and value of the "absurd" of the Chinese new figurative painting under the influence of the western conceptual form.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2499959
[Abstract]:As a unique artistic language form in contemporary painting, new figurative painting has experienced a long period of development and renewal, forming today's unique artistic appearance. The charm it embodies is not only the visual effect of the concrete image itself, but also the thought-provoking effect of the new figurative painting from the point of view of technology itself and thought transmission. Although the new figurative oil painting language is in the process of practical development, it has played a certain role in promoting the development of Chinese art in terms of artistic innovation and exploration. When the western modern concept entered the field of Chinese art in an open form, some artists no longer created in accordance with the common understanding of society, but faced life with a new philosophical idea. Everyone can start from the same experience and unique way and depict the world they see. Many artists have categorically rejected the grand historical narrative of art creation in the past. They begin to care about the individual's own experience, they pay attention to the individual life and the original state of the spiritual world, the works highlight the factors of daily life, and thus form a new aesthetic principle. Among them, a group of contemporary art groups with absurd characteristics in creative subject matter and expression techniques have gradually formed a unique personal creative style and created many appalling works. Of course, the strong tendency of individualized creation does not mean giving up the attention to social reality, art creation should more from the personal point of view to understand the society, in their own unique way to express their feelings and attitudes towards reality. This paper abstracts the absurd language from the new figurative oil painting separately, hoping to analyze the works of the specific painters through the discussion of the absurd factors of the new figurative painting, to improve the deep understanding of the language of the "absurd" oil painting, to explore the practical significance of the "absurd" to the contemporary Chinese painting art, and to reflect on the existence and value of the "absurd" of the Chinese new figurative painting under the influence of the western conceptual form.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
【参考文献】
相关期刊论文 前3条
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3 王晓华;西方戏剧中的终极追问与荒诞意识[J];中文自学指导;2005年01期
，本文编号：2499959
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