中国表现性水墨人物画创作特征研究
发布时间：2019-06-28 09:56
【摘要】：本文是关于表现性水墨人物画创作特征研究,主要是以人物画为切入点,进行探讨和研究。中国写意人物画由传统向现代化创新式转型,并受到西方现代艺术流派的影响,称之为表现性水墨人物画。新时期表现性水墨人物画是一种即继承传统绘画的写意性又吸收西方表现主义风格的现代绘画艺术,兴于80年代,发展于90年代。新中国初期的人物画主要是以写实为主,用客观叙事的表现手法,没有自己的主观意识表达,人物画创作特征出现了单一化,后来画家们对人物画进行反思,并分析和探索人物画的发展进程,当今中国画坛涌现出一批新时期表现性水墨人物画,脱离了客观的写实手法,以变形、夸张的水墨语言表达主观感受,以周思聪为代表的新时期表现性人物水墨画,推动了人物画语言的变革进程。这表明他们在人物画的创作中有了很大的启发。他们的绘画创作是以表现性为主题的绘画风格,其主张表现画面的创新,探索笔墨的个性化语言,强调艺术家的情感表达和创作研究。中国表现性人物画在创作发展的过程中产生了许多议论和探讨,也有很多艺术家的批评。通过这些表现性人物画作品特征分析与归纳,展开了本文对中国表现性人物创作特征的研究。 本文共分为三个阶段来分析中国表现性水墨人物画创作特征。第一个阶段,首先梳理表现性水墨人物画的发展脉络,主要分析人物画的发展及原因,表现性水墨人物画的由来,并梳理表现性水墨人物画的发展历程,为下文做铺垫。其次,收集材料查找表现性水墨人物画的形成原因,从借鉴西方表现主义和继承传统写意绘画从中分析表现性水墨人物画创作。第二个阶段为文章重点部分,需要发展新型水墨人物画就要灌输到造型速写及写生中,对表现性水墨人物画创作思考与探索,第三阶段从自身出发,结合理论联系实践,人物画家的创作作品解读,对本人在学习人物画及创作进行分析和感想。 最后得出结论,中国表现性水墨人物画创作是在当今社会符合时代的主题下进行创作的,关注社会民情,披露社会现象,把对社会的反思与批判体现在画面上。新时期人物画创作富有个性化笔墨,并且呈现出多元化风格,在符合新时代的发展下展现出新的一面。
[Abstract]:This article is about the expressive ink figure painting creation characteristic research, mainly takes the figure painting as the breakthrough point, carries on the discussion and the research. Chinese freehand figure painting changes from tradition to modernization and innovation, and is influenced by western modern art schools, which is called expressive ink figure painting. Expressive ink figure painting in the new period is a kind of modern painting art, which inherits the freehand brushwork of traditional painting and absorbs the western expressionist style. It flourished in the 1980s and developed in the 1990s. In the early days of the people's Republic of China, figure painting was mainly realistic, using objective narrative techniques, without its own subjective consciousness expression, and the creative characteristics of figure painting appeared unified. later, painters reflected on figure painting and analyzed and explored the development process of figure painting. Nowadays, a number of expressive ink figure paintings have emerged in the field of Chinese painting, which are divorced from objective realistic techniques and deformed. The exaggerated ink language expresses subjective feelings, and the expressive character ink painting in the new period, represented by Zhou Sicong, promotes the reform process of figure painting language. This shows that they have a lot of inspiration in the creation of figure painting. Their painting creation is a painting style with expressive theme, which advocates the innovation of expressive picture, explores the individualized language of pen and ink, and emphasizes the emotional expression and creative research of artists. In the process of creation and development, Chinese expressive figure painting has produced a lot of discussion and discussion, as well as the criticism of many artists. Through the analysis and induction of the characteristics of these expressive figure paintings, this paper studies the creative characteristics of Chinese expressive characters. This paper is divided into three stages to analyze the creative characteristics of Chinese expressive ink figure painting. In the first stage, this paper first combs the development of expressive ink figure painting, mainly analyzes the development and causes of figure painting, the origin of expressive ink figure painting, and combs the development course of expressive ink figure painting, which paves the way for the following. Secondly, the materials are collected to find out the reasons for the formation of expressive ink figure painting, and the creation of expressive ink figure painting is analyzed from drawing lessons from western expressionism and inheriting traditional freehand brushwork painting. The second stage is the key part of the article, the need to develop a new type of ink figure painting should be indoctrinated in modeling sketches and sketches, the third stage from their own point of view, combined with theory and practice, the interpretation of the creative works of character painters, the study of figure painting and creation of my own analysis and feelings. Finally, it is concluded that the creation of Chinese expressive ink figure painting is created under the theme of today's society in line with the times, paying attention to the social situation, disclosing social phenomena, and reflecting and criticizing the society on the screen. The creation of figure painting in the new period is full of personalized pen and ink, and presents a diversified style, showing a new side in line with the development of the new era.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2507205
[Abstract]:This article is about the expressive ink figure painting creation characteristic research, mainly takes the figure painting as the breakthrough point, carries on the discussion and the research. Chinese freehand figure painting changes from tradition to modernization and innovation, and is influenced by western modern art schools, which is called expressive ink figure painting. Expressive ink figure painting in the new period is a kind of modern painting art, which inherits the freehand brushwork of traditional painting and absorbs the western expressionist style. It flourished in the 1980s and developed in the 1990s. In the early days of the people's Republic of China, figure painting was mainly realistic, using objective narrative techniques, without its own subjective consciousness expression, and the creative characteristics of figure painting appeared unified. later, painters reflected on figure painting and analyzed and explored the development process of figure painting. Nowadays, a number of expressive ink figure paintings have emerged in the field of Chinese painting, which are divorced from objective realistic techniques and deformed. The exaggerated ink language expresses subjective feelings, and the expressive character ink painting in the new period, represented by Zhou Sicong, promotes the reform process of figure painting language. This shows that they have a lot of inspiration in the creation of figure painting. Their painting creation is a painting style with expressive theme, which advocates the innovation of expressive picture, explores the individualized language of pen and ink, and emphasizes the emotional expression and creative research of artists. In the process of creation and development, Chinese expressive figure painting has produced a lot of discussion and discussion, as well as the criticism of many artists. Through the analysis and induction of the characteristics of these expressive figure paintings, this paper studies the creative characteristics of Chinese expressive characters. This paper is divided into three stages to analyze the creative characteristics of Chinese expressive ink figure painting. In the first stage, this paper first combs the development of expressive ink figure painting, mainly analyzes the development and causes of figure painting, the origin of expressive ink figure painting, and combs the development course of expressive ink figure painting, which paves the way for the following. Secondly, the materials are collected to find out the reasons for the formation of expressive ink figure painting, and the creation of expressive ink figure painting is analyzed from drawing lessons from western expressionism and inheriting traditional freehand brushwork painting. The second stage is the key part of the article, the need to develop a new type of ink figure painting should be indoctrinated in modeling sketches and sketches, the third stage from their own point of view, combined with theory and practice, the interpretation of the creative works of character painters, the study of figure painting and creation of my own analysis and feelings. Finally, it is concluded that the creation of Chinese expressive ink figure painting is created under the theme of today's society in line with the times, paying attention to the social situation, disclosing social phenomena, and reflecting and criticizing the society on the screen. The creation of figure painting in the new period is full of personalized pen and ink, and presents a diversified style, showing a new side in line with the development of the new era.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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3 杨振廷;;现代水墨人物画形式语言的建构[J];艺术百家;2008年06期
，本文编号：2507205
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