论髡残绘画艺术对当代山水画创作的影响

发布时间：2019-07-01 19:53

【摘要】：髡残是明末清初有名的画僧。一生中,大部分时间都在游历名山大川,他的山水受董其昌影响,取法“元四家”,尤其得力于王蒙、黄公望,多取黄山、南京一带的景物为题材,在继承传统的基础上融入了自己的个性,灌注了自己对现实社会的认识与禅意,在此基础上大胆超越古人,突破传统,绘出自己独特的画作,他的作品以真实山水为素材,山水画章法稳妥,繁复严密,郁茂而不堵塞,布景在平淡中取胜；用笔苍劲、荒率、浑厚；善于用雄健的秃笔和渴墨,层层皴擦勾染,笔墨交融,厚重而不呆滞,秃笔而不干枯,显得山川淳厚,草木华滋。淋漓尽致的表现出山水的“真精神”,达到可居可游的艺术境界。他的作品具有时代人文情怀,感情真挚,风格独特,其绘画思想深深地影响着后人及我山水画的学习与创作。
[Abstract]:The disabled is a famous painting monk in the late Ming and early Qing dynasties. In his life, he spent most of his life traveling through famous mountains and rivers, his mountains and rivers were influenced by Dong Qichang, and his mountains and rivers were influenced by Dong Qichang, especially from Wang Meng, Huang Gongwang, taking the scenery of Huangshan and Nanjing as the theme, integrating his personality on the basis of inheriting the tradition, infusing his own understanding of the real society and Zen, on this basis, boldly surpassing the ancients, breaking through the tradition, and drawing his own unique paintings. His works take the real landscape as the material, the landscape painting rules are safe, complicated and strict, lush but not clogged, the setting wins in the plain; With pen strength, wasteland, thick; good at using vigorous baldness pen and thirst ink, layer by layer chapped hook dyeing, pen and ink blending, thick but not dull, bald pen but not dry, appear mountains and rivers thick, vegetation Huazi. Incisively and vividly show the "true spirit" of mountains and rivers, to achieve the artistic realm of habitation and tourism. His works have the humanistic feelings of the times, sincere feelings, unique style, his painting thought deeply affects the study and creation of future generations and our landscape painting.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】