当代草原水墨人物画研究

发布时间：2019-07-06 17:50

【摘要】：当代草原水墨人物画有着深厚的草原文化根柢，在民族文化艺术的传承发展中占据重要地位，是中国人物画发展进程中所取得的重要成果的艺术体现之一。本文通过对当代草原水墨人物画的发展现状、审美思想、创作语境等方面的整体探究，以及从艺术本体技法运用、风格表现层面，细致入微地分析画家群体的艺术作品、本土笔墨语言的艺术形式特点，概括出当代草原水墨人物画总体艺术特征和发展轨迹。并进一步从草原水墨人物画创作中，了解画家群体的人文精神内涵，绘画作品中水墨的妙趣与画家的“随意赋形”相谐之关系，分析作品情趣风格与画家主观情意所达成的统一机制。本文主要以二十世纪四十年代至今的草原水墨人物画作为研究内容。以当代绘画有影响力的画家群体为重要例证,根据画家个体不同的艺术风格、绘画语言、审美意趣等,表现出不同的绘画面貌，并通过画家群体艺术本体语言方面的探索实践,透析当代草原水墨人物画的发展现状，以及在绘画理念、艺术语言等方面的拓展。文章共分为五部分，第一章从文化渊源来看，草原水墨人物画具有浑厚的草原文化底蕴，进而阐述草原文化的精神内涵和艺术形态特征；第二章首先介绍草原水墨人物画的画家群体，即它的人文基础。其次探究线和造型艺术的当代延展性；第三章从传统绘画观念的转型，，到草原水墨人物画适应当代社会艺术观念和审美价值取向，主要以画家卢沉的绘画实践历程为例，论述草原水墨人物画围绕现代化艺术理念发展的路径。以及不同的审美视野，画家的艺术追求不同，作品呈现出多元风格；第四章分析草原水墨人物画的本体技法；第五章从人物画的创作过程来看画家的人文情怀，以及符合时代特征的草原人物形象的塑造。
文内图片：

图片说明：沈逸千《蒙族骑士图》
[Abstract]:Contemporary grassland ink figure painting has a profound grassland culture, occupies an important position in the inheritance and development of national culture and art, and is one of the artistic embodiment of the important achievements made in the development of Chinese figure painting. This paper summarizes the overall artistic characteristics and development track of contemporary grassland ink figure painting by exploring the development status, aesthetic thought and creative context of contemporary grassland ink figure painting, as well as analyzing the artistic works of painter groups and the artistic form characteristics of local pen and ink language from the aspects of the application of art Noumenon techniques and style expression. Furthermore, from the creation of grassland ink figure painting, we can understand the humanistic spirit connotation of the painter group, the harmonious relationship between the wonderful interest of ink and the painter's "random appearance", and analyze the unified mechanism between the interest style of the work and the painter's subjective emotion. This paper mainly takes grassland ink figure painting as the research content since 1940s. Taking the influential painter group of contemporary painting as an important example, according to the individual artistic style, painting language, aesthetic interest and so on, it shows different painting features, and through the exploration and practice of painter group art Noumenon language, analyzes the development status of contemporary grassland ink figure painting, as well as the expansion of painting concept, art language and so on. The article is divided into five parts. In the first chapter, from the point of view of cultural origin, grassland ink figure painting has a rich grassland culture connotation, and then expounds the spiritual connotation and artistic form characteristics of grassland culture; the second chapter first introduces the painter group of grassland ink figure painting, that is, its humanistic basis. Secondly, the exploration line and the contemporary extension of plastic arts; the third chapter from the transformation of traditional painting concept to grassland ink figure painting to adapt to the contemporary social art concept and aesthetic value orientation, mainly taking the painting practice course of painter Lu Shen as an example, discusses the development path of grassland ink figure painting around the modern artistic concept. As well as different aesthetic horizons, the painters' artistic pursuit is different, and the works show multiple styles; the fourth chapter analyzes the Noumenon techniques of grassland ink figure painting; the fifth chapter looks at the painter's humanistic feelings from the creation process of figure painting, as well as the shaping of grassland characters in accordance with the characteristics of the times.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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