黄宾虹山水画与印象派风景画比较研究
发布时间：2019-07-09 09:10
【摘要】：印象派诞生于十九世纪下半叶的法国,印象派的出现无论是在观念上,还是在形式上都给当时的人们带来了强烈的冲击,印象派不仅改变了人们对西方传统绘画的审美感受,更是以一种崭新的方式使西方绘画进入了一个以主观印象为主的世界。此外,印象派绘画与西方传统绘画相比较,两者最大的不同在于绘画的形式语言,印象派画家在探索中改变了之前的绘画形式语言。在近现代中国山水画的发展中,黄宾虹不仅承袭了传统绘画中的笔墨技法,更是在此基础上不断地创新,黄宾虹将心象与客观的视觉印象相结合,在创作中拓展山水画的表现方式。在用色方面,黄宾虹以笔墨代替色彩,不断地挖掘笔墨的表现力,使得中国山水中笔墨的表现力得到进一步的开发。同时在他的山水画中,他刻意的减弱客观物象的轮廓线,使视觉的整体感得到了加强,因此使得他的山水画画面中呈现出了丰富的面貌以及浑厚华兹的风格。本文则主要围绕黄宾虹山水画与印象派风景画进行比较研究,通过对两者审美情趣、创作技法、艺术特色的分析,探讨黄宾虹山水画与印象派风景画在不同文化背景下的差异。在分析探讨的同时,也展望了中西方绘画的发展趋势,不断寻找他们之间异同的规律性,这样也有助于我们认识中西方绘画各自的特点,并且在此过程中也应该坚持“和而不同”的观点,进一步使理论落实到实践之中。
[Abstract]:Impressionism was born in France in the second half of the 19th century. The emergence of Impressionism brought a strong impact to the people at that time, both in concept and form. Impressionism not only changed people's aesthetic feeling of western traditional painting, but also made western painting enter a world dominated by subjective impression in a new way. In addition, compared with western traditional painting, the biggest difference between impressionist painting and western traditional painting lies in the formal language of painting. Impressionist painters changed the previous painting formal language in their exploration. In the development of modern Chinese landscape painting, Huang Binhong not only inherited the pen and ink techniques in traditional painting, but also constantly innovated on this basis. Huang Binhong combined his mind with objective visual impression to expand the expression of landscape painting in his creation. In the aspect of color, Huang Binhong replaces color with pen and ink, and constantly excavates the expressive force of pen and ink, so that the expressive force of pen and ink in Chinese landscape can be further developed. At the same time, in his landscape painting, he deliberately weakens the outline of the objective object image, so that the visual sense of the whole has been strengthened, so that his landscape painting has a rich appearance and a thick Huazi style. This paper mainly focuses on the comparative study of Huang Binhong landscape painting and impressionist landscape painting, and discusses the differences between Huang Binhong landscape painting and impressionist landscape painting under different cultural backgrounds through the analysis of their aesthetic taste, creative techniques and artistic characteristics. At the same time of analysis and discussion, it also looks forward to the development trend of Chinese and western painting and constantly looks for the regularity of their similarities and differences, which is also helpful for us to understand the characteristics of Chinese and western painting, and in this process, we should also adhere to the viewpoint of "harmony but difference", so as to further implement the theory into practice.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205
本文编号：2512048
[Abstract]:Impressionism was born in France in the second half of the 19th century. The emergence of Impressionism brought a strong impact to the people at that time, both in concept and form. Impressionism not only changed people's aesthetic feeling of western traditional painting, but also made western painting enter a world dominated by subjective impression in a new way. In addition, compared with western traditional painting, the biggest difference between impressionist painting and western traditional painting lies in the formal language of painting. Impressionist painters changed the previous painting formal language in their exploration. In the development of modern Chinese landscape painting, Huang Binhong not only inherited the pen and ink techniques in traditional painting, but also constantly innovated on this basis. Huang Binhong combined his mind with objective visual impression to expand the expression of landscape painting in his creation. In the aspect of color, Huang Binhong replaces color with pen and ink, and constantly excavates the expressive force of pen and ink, so that the expressive force of pen and ink in Chinese landscape can be further developed. At the same time, in his landscape painting, he deliberately weakens the outline of the objective object image, so that the visual sense of the whole has been strengthened, so that his landscape painting has a rich appearance and a thick Huazi style. This paper mainly focuses on the comparative study of Huang Binhong landscape painting and impressionist landscape painting, and discusses the differences between Huang Binhong landscape painting and impressionist landscape painting under different cultural backgrounds through the analysis of their aesthetic taste, creative techniques and artistic characteristics. At the same time of analysis and discussion, it also looks forward to the development trend of Chinese and western painting and constantly looks for the regularity of their similarities and differences, which is also helpful for us to understand the characteristics of Chinese and western painting, and in this process, we should also adhere to the viewpoint of "harmony but difference", so as to further implement the theory into practice.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205
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