美学的僭越与“伦理”的复归——从形式静观到审美融合

发布时间：2018-01-03 21:20

  本文关键词：美学的僭越与“伦理”的复归——从形式静观到审美融合　出处：《厦门大学学报(哲学社会科学版)》2016年03期 　论文类型：期刊论文

  更多相关文章： 美学态度 伦理态度 伦理功能 审美融合

【摘要】：在经历了数十年的日常生活审美化趋势后,美学与生活似乎已无法进一步靠拢。两者已用尽了含混与妥协的空间,终于露出不可通约的逻辑硬核;美学与生活谁为主导,已成了再无腾挪余地的问题。近年在建筑艺术领域出现的"少一些美学,多一些伦理"的抵制性呼吁,既是对美学态度过度泛滥的反弹,又不妨将其看作对美学的一种当代期许。这里的"伦理"内涵是基于其古希腊语的原始涵义即"精神气质",强调建筑应显现的自身目的和特定生活方式。面对美学对生活的"僭越",当代一些学者认为必须改变传统的形式静观的审美模式才能解决。其中,卡斯腾·哈里斯的"伦理功能"、卡尔松的"功能适应"、柏林特的"审美融合",都喻示当代美学中发生的这种观念调整。通过分析"美学态度"和"伦理态度"相互拒斥的历史,可以窥见二者沟通的可能性,探索在"功能性的内容"与"可见的形式"之间建立联系的思路,为审美与生活的当代融合寻找新的知识前提和评判标准。
[Abstract]:After decades of aesthetic trend of daily life, aesthetics and life seem to be unable to get closer to each other. They have exhausted the room for ambiguity and compromise, and finally reveal the irreconcilable logic hard core; The question of who leads aesthetics and life has become a question of no room to move any more. In recent years, the anti-appeal of "less aesthetics and more ethics" in the field of architectural art is a rebound to the excessive proliferation of aesthetic attitudes. We can also regard it as a kind of contemporary expectation of aesthetics. The connotation of "ethics" here is based on the original meaning of ancient Greek, that is, "spiritual temperament". Some contemporary scholars think that we must change the traditional aesthetic mode of meditation in order to solve the problem. "Ethical function" by Carsten Harris, "functional adaptation" by Karlsson, "Aesthetic Fusion" by Berlinte. By analyzing the history of "aesthetic attitude" and "ethical attitude" rejecting each other, we can see the possibility of communication between them. This paper explores the idea of establishing a link between "functional content" and "visible form", and seeks new knowledge premises and criteria for the contemporary fusion of aesthetics and life.
【作者单位】： 华中师范大学文学院;
【基金】：国家留学基金委项目“中西建筑艺术的伦理功能研究”(201406775015)
【分类号】：B83-0
【正文快照】： 引言在当代日常生活呈现审美化趋势的过程中,美学面临着对自身观念、方法和理论边界的重构任务,以适应日益复杂的审美现象。在这一情形下,有两个问题被凸显出来:一是艺术观念对美学的辖制,二是美学态度对生活的僭越。艺术一向是传统美学的核心部分,从中引申出的欣赏方式、审美，

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