中国语境中的审美文化与意识形态

发布时间：2018-01-24 23:57

本文关键词： 意识形态编码霸权标准化　出处：《西北大学学报(哲学社会科学版)》2005年04期 　论文类型：期刊论文

【摘要】：西方马克思主义学者意识形态批判理论的社会意图非常明确,就是旨在揭露当代资本主义的权力是怎样通过意识形态运作的。这种批判倾向对中国学者产生了很大影响。但意识形态批判理论在具体运用中有可能产生意识形态泛化的倾向,把所有的审美文化活动都从隐藏的意识形态编码角度进行解读和分析,把一种相对于其他文化处于更优势地位的文化现象简单归结为意识形态的“霸权”,把商业对艺术文化生产的影响简单地等同于标准化和平庸化,有可能混淆传统的或普适的需要与当代资本主义特定的政治需要之间的差别,忽视商业文化的演变,从而造成对文化现象内在性质的误解。西方马克思主义意识形态批判理论虽然对我们认识商业文化对社会的影响有一定价值,但时代不同、语境不同,促使我们必须很小心地审视这些理论的真正价值以及在中国语境中的意义,这样才能使我们的文化研究和文艺美学研究具有现实性和科学性。
[Abstract]:The social intention of western Marxist scholars' ideological criticism theory is very clear. The aim is to reveal how the power of contemporary capitalism works through ideology. This kind of critical tendency has a great influence on Chinese scholars. However, the theory of ideological criticism is likely to produce a conscious form in its concrete application. The tendency to generalize. All aesthetic cultural activities are interpreted and analyzed from the angle of hidden ideological coding, and a cultural phenomenon which is in a more advantageous position than other cultures is simply reduced to "hegemony" of ideology. Simply equating the impact of commerce on artistic and cultural production with standardization and mediocrity may confuse the difference between traditional or universal needs and the specific political needs of contemporary capitalism. Ignore the evolution of commercial culture, resulting in a misunderstanding of the inherent nature of cultural phenomena. Western Marxist ideology criticism theory although we understand the impact of commercial culture on society has some value. However, different times and different contexts urge us to carefully examine the true value of these theories and their significance in Chinese context. Only in this way can our cultural research and literary aesthetics study be realistic and scientific.
【作者单位】：中山大学中文系
【分类号】：B83
【正文快照】： 在中国当代学术语境中,“意识形态”是个非常熟悉、甚至是非常通俗的概念。在美学和文艺学研究中,对审美经验和美学理论的研究也常常与意识形态问题联系在一起。自20世纪50年代以来,绝大多数《文学概论》或《艺术概论》之类的教材都毫不犹豫地把文学艺术活动归入意识形态的范

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