审美裂变的逻辑复制

发布时间：2018-02-05 22:24

本文关键词： 人性结构古代审美意识社会美自然美审美封闭感性意欲认识论审美扩张审美残缺现代艺术　出处：《西北师大学报(社会科学版)》1995年04期 　论文类型：期刊论文

【摘要】：美的感性呈现不能离开人的主观感受和心理状态。这种现象，反倒证明了理论思维突破惯常经验而探究其内在机制的必要性。因为人性结构作为由感性和理性两个基本方面合成的主体状态，其结构的规定不仅是思维的和认识的，同时也是实践的和欲求的。因此，在审美活动中，主体状态才从认知或意欲的片面性升华到自由的境界。然而，人性结构总是具体的，感性只能作为个体的人的感性存在于一定的历史现实中，而偏重社会的理性则不能脱离感性又具有普遍化的倾向。所以，必须把审美意识以及与之相适应的美的形态，五放到一定的历史范畴中来进行研究。本文正是在辩证逻辑的指导下，坚持和运用“抽象上升到具体”、“逻辑与历史统一”的法则，简洁概括地揭示了人性结构封闭、狭隘的古代人。从审美意识偏重于中和，向现代人追求崇高的裂变中所蕴含的普遍原理和一般规律。
[Abstract]:The perceptual appearance of beauty cannot be separated from the subjective feeling and psychological state of human beings. On the contrary, it proves that it is necessary for theoretical thinking to break through the usual experience and explore its internal mechanism, because the structure of human nature is the subject state which is composed of two basic aspects: perceptual and rational. The regulation of its structure is not only thinking and understanding, but also practice and desire. Therefore, in aesthetic activities, the subjective state sublimates from the one-sidedness of cognition or desire to the realm of freedom. The structure of human nature is always concrete, sensibility can only exist in a certain historical reality as the individual's sensibility, while the social rationality can not be separated from the sensibility and has the tendency of generalization. We must study the aesthetic consciousness and the corresponding beauty form in a certain historical category. Under the guidance of dialectical logic, this paper insists and uses "abstract rise to concrete". The principle of "the unity of logic and history" briefly reveals the closed structure of human nature, narrow ancient people, from the aesthetic consciousness emphasis on neutralization. The universal principles and general laws contained in the pursuit of lofty fission from modern people.
【分类号】：B83

【相似文献】