论中国古典美学范畴“善”的美学阐释及其现代意义

发布时间：2018-03-11 18:52

本文选题：中国古典美学　切入点：善　出处：《牡丹江师范学院》2011年硕士论文　论文类型：学位论文

【摘要】：“善”是我国古典美学中一个含义较广的美学范畴,用于文学领域,因论及的对象、范围和论者的审美态度不同,其具体所指,时有变化。中华民族尚“善”的意识与观念源远流长,人们对“善”的追求,不仅源于生活伦理道德的需求,还源自文学艺术审美的需要,是人类崇高的精神支柱。综观前人对“善”的研究,大多局限于研究某一单一的领域,或是从哲学、伦理学的范畴的角度研究“善”的社会意义与价值,或是从审美的角度讨论“真、善、美”的关系问题。然而,从总体上看,人们对“善”这一美学之魂进行深入研究的并不多见,尚存在深入研究的余地。本文将试图从儒、道、释三家互动的文化事实出发,针对当前“善”的研究现状,采用纵向梳理与横向比较相结合的方法,在对“善”的内涵及文化渊源进行一番梳理之后,集中阐释美学范畴“善”在中西美学思想中的内涵、区别及其内在联系,并辩证地分析美学范畴“善”的现代意义,探寻其当代生命力及与当代美学接轨的可能性。
[Abstract]:"goodness" is a broad aesthetic category in Chinese classical aesthetics, which is used in the field of literature. The consciousness and concept of "goodness" in the Chinese nation has a long history. People's pursuit of "goodness" originates not only from the needs of life ethics but also from the needs of literary and artistic aesthetics. It is the spiritual pillar of human sublimity. Most of the previous studies on "good" are confined to a single field, or the social significance and value of "good" from the perspective of philosophy and ethics. Or discuss the relationship between "truth, goodness and beauty" from the aesthetic point of view. However, on the whole, people do not deeply study the soul of "goodness", and there is still room for further study. On the basis of the cultural facts of the interaction between the three schools, and in view of the current research situation of "goodness", this paper adopts the method of combining vertical combing with horizontal comparison, after combing the connotation and cultural origin of "goodness". This paper focuses on the connotation, distinction and internal relation of "goodness" in Chinese and Western aesthetic thoughts, and dialectically analyzes the modern significance of "goodness" in aesthetic category, and explores its contemporary vitality and the possibility of connecting with contemporary aesthetics.
【学位授予单位】：牡丹江师范学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：B83-092

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