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中国现代美学中“意象”、“意境”概念的演变

发布时间:2018-03-22 17:37

  本文选题:意象 切入点:意境 出处:《四川师范大学》2009年硕士论文 论文类型:学位论文


【摘要】: 中国现代美学是自20世纪初到目前并向未来敞开的开放性过程,其基本特征是中西思想的会冲结合和理论话语的现代化转型。意象、意境概念作为中国古典美学的重要概念,既体现了中国古典美学重体验的感性直观思维方式和中国古典美学“天人合一”和以“道”“气”为世界及人之本源的有机整体观,又体现了中国文化巨大的融合能力。意象、意境概念在进入中国现代美学后,在现代美学演进的总体趋势和基本特征的影响下,在不同的时期发生了不同程度的变化:由前期被西方美学思想和话语方式所阐释,被解析和被添加新的内容,而出现概念分化和泛化的趋势,向后期被重新赋予本土美学特性,并将其作为美学的本体论概念的方向演变。在当今全球化的语境下,通过意象、意境这两个中国古典美学的概念在中国现代美学的演变,及其与相关概念的区别所得出的当下的定位,可以窥见中国古典美学和传统文化现代化及其定位的缩影,从而为树立和传播中国的文化形态提供基础的理论支撑。
[Abstract]:Modern Chinese aesthetics is an open process from the beginning of the 20th century to the present and open to the future. Its basic characteristics are the combination of Chinese and Western thoughts and the modernization of theoretical discourse. The concept of imagery and artistic conception is an important concept of Chinese classical aesthetics. It not only embodies the perceptual and intuitive thinking mode of Chinese classical aesthetics emphasizing experience, the organic whole view of Chinese classical aesthetics of "harmony of nature and man" and taking "Tao" and "qi" as the world and the origin of human beings, but also embodies the great fusion ability of Chinese culture. After entering Chinese modern aesthetics, the concept of artistic conception changed in different degrees under the influence of the general trend and basic characteristics of the evolution of modern aesthetics: it was explained by western aesthetic thought and discourse mode in the early stage. It is analyzed and added new content, and the trend of concept differentiation and generalization appears, and it is reendowed with the local aesthetic characteristics in the later stage, and it is regarded as the direction of aesthetic ontology concept, in the context of globalization today, through imagery, The evolution of the concept of artistic conception in modern Chinese aesthetics, and the present position obtained from the difference between the two concepts, can be seen as a microcosm of the modernization and orientation of Chinese classical aesthetics and traditional culture. So as to establish and spread the cultural form of China to provide theoretical support.
【学位授予单位】:四川师范大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:B83-09

【引证文献】

相关硕士学位论文 前3条

1 旷军民;中国当代油画的意象美学[D];湖南师范大学;2011年

2 严戒愚;海报设计的意境营造研究[D];浙江农林大学;2012年

3 王建丽;论李少红电视剧的影像风格[D];山西大学;2013年



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