中国美学与传统国家政治

发布时间：2018-05-05 20:43

本文选题：中国现代学术 + 孔门四科　；参考：《文学遗产》2016年05期

【摘要】：正中国现代学术,自清末民初产生新旧、中西之争,至今已彻底转换为被西方现代学术观念重构的对象。单就其中的文学艺术而言,中国传统的"文学""艺术"是大概念。像早期儒家"孔门四科"中的"文学"和"六艺"中的"艺",几乎可以作为一切人文之学和道术技艺的总称。后世,虽然文学艺术的分类渐趋明晰,但诗礼乐、诗乐舞以及诗书画同源同体之观念,却仍然昭示着它所涵盖的人类知识的整全性。这和西方现代将诸种艺术体式无限细分并建立截然边界的方法判然有别。同时,在
[Abstract]:Since the late Qing Dynasty and the beginning of the Republic of China, the controversy between China and the West has been completely transformed into the object of reconstruction of western modern academic concepts. As far as literature and art are concerned, Chinese traditional literature and art is a big concept. For example, the literature and the art in the four branches of Confucius in the early Confucianism can be regarded as the general names of all humanities and Taoist techniques. In later generations, although the classification of literature and art gradually became clear, but poetry, music, music and dance, poetry, calligraphy and painting of the same body of ideas, but still show that it covers the integrity of human knowledge. This is different from the western modern method of subdividing various artistic styles infinitely and establishing the absolute boundary. At the same time, in the
【作者单位】：北京师范大学哲学学院;
【分类号】：B83-0

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