当代中国文化中的“伪美”现象展析

发布时间：2018-05-17 21:42

  本文选题：当代中国 + 美　； 参考：《渭南师范学院学报》2014年21期

【摘要】：从20世纪80年代以来的30年间,中国美学经历了较为复杂的转型期。我国审美文化研究既有别于抽象的美学玄学,又有别于具体的物质文化实践。当代审美从各种视角对当代中国审美文化进行了多维透视,而其中也存在着人文内涵不足、视野偏窄的缺陷。在文化工业的压迫下,美学已不再是单纯探讨"美"的学科,"丑"大量地涌入艺术殿堂,丰富了艺术现象。显而易见的是各种"伪美"现象充斥着我们的视听世界,在大众的非理性精神思考下,这种对"伪美"的追逐是一种审美短视的行为,从它背后透露出的是大众异化的审美态度。
[Abstract]:During the 30 years since 1980's, Chinese aesthetics has experienced a more complicated transition period. The study of Chinese aesthetic culture is different from both abstract aesthetic metaphysics and concrete material cultural practice. Contemporary aesthetics has carried on the multidimensional perspective to the contemporary Chinese aesthetic culture from various angles of view, but also has the flaw which the humanities connotation is insufficient, the field of vision is narrow. Under the oppression of cultural industry, aesthetics is no longer a mere subject of "beauty", and "ugliness" flows into the art palace in large numbers, which enriches the art phenomenon. It is obvious that all kinds of "false beauty" phenomena are flooding our audiovisual world. Under the irrational spiritual thinking of the public, this pursuit of "false beauty" is an aesthetic short-sighted behavior. The aesthetic attitude of the public alienation is revealed from behind it.
【作者单位】： 宝鸡文理学院文学与新闻传播学院;
【分类号】：B83-092
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本文编号：1902956