“神不灭”论与魏晋南北朝文艺美学中的重“神”思想

发布时间：2018-05-23 06:59

本文选题：形神关系 + “神不灭”论　；参考：《社会科学辑刊》2004年03期

【摘要】：关于“形神”关系的不同辩难 ,与关于“神灭”论同”神不灭”论的论争 ,是从汉代到魏晋南北朝思想界的一个焦点。从哲学基本问题的认识看 ,“神灭”论属于唯物主义的范畴 ,而“神不灭”论则是唯心主义的观点 ,这是不容置疑的 ;而从美学的意义上看 ,这场论争则大大提高了当时的思辨水准 ,深化了人们对精神现象的超越性、丰富性和广延性的认识 ,并直接强化了魏晋南北朝时期文艺美学中的重“神”倾向。深入分析慧远、宗炳等人的“神不灭”论思想 ,可揭示出其与顾恺之、宗炳和刘勰等人在文艺领域里对“神”的重视与“神不灭”思想的内在关系。
[Abstract]:The different arguments about the relationship between "form and spirit" and the argument about the theory of "divinity" and "deity inextinguishment" are the focus of the ideological circle from the Han Dynasty to the Wei, Jin and the Southern and Northern dynasties. From the understanding of the basic problems of philosophy, the theory of "divinity" belongs to the category of materialism, while the theory of "deity does not destroy" is an idealistic view, which is beyond doubt, and from the aesthetic point of view, This controversy greatly improved the speculative level at that time, deepened people's understanding of the transcendence, richness and extensiveness of spiritual phenomena, and directly strengthened the tendency of emphasizing "God" in literary aesthetics of Wei, Jin, Southern and Northern dynasties. An in-depth analysis of Huiyuan and Zong Bing's theory of "God does not destroy" can reveal the internal relationship between it and Gu Kaizhi, Zong Bing and Liu Xie's emphasis on "God" in the field of literature and art and the thought that "God cannot be extinguished".
【作者单位】：北京广播学院中文系
【分类号】：B83-092

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