化雅入俗:明代美学的终结之路

发布时间：2018-05-23 08:19

本文选题：中国美学 + 明代　；参考：《学术月刊》2013年06期

【摘要】：晚明美学是在中国封建社会濒临解体、市民社会酝酿生成的历史背景上展开的。其主题是审美精神的"化雅入俗"。它主要表现为三个方面:其一,以小说美学为主体,在"史"与"稗"之争中,伸张"稗"自身的"俗"的文化价值,不仅强调"稗"的通俗娱乐的感染力,而且主张它具有"史"不能具有的情感教化作用。其二,以戏剧、音乐美学为主体,由汤显祖为代表的泛情主义不仅倡兴了以"情"为主题的俗文艺的创作、流行,而且对传统的"雅"的文艺产生了"化雅入俗"的改换运动,使"雅乐"成为"俗乐"的一个表现形态。其三,以建筑美学为主体,确立"长物为美"的审美精神,以尚物赏物为审美旨趣,重视对景致物态的感触,追求生活环境中的物感通觉。
[Abstract]:The aesthetics of the late Ming Dynasty was launched on the historical background of the disintegration of Chinese feudal society and the development of civil society. Its theme is the aesthetic spirit of "refined into the vulgar." It is mainly manifested in three aspects: first, with the novel aesthetics as the main body, in the struggle between "history" and "paspalum", the cultural value of "paspalum" itself is extended, and not only the appeal of popular entertainment of "paspalum" is emphasized. And claims that it has the "history" can not have the role of emotional enlightenment. Secondly, with drama and music aesthetics as the main body and Tang Xianzu as the representative, the general sentimentalism not only promoted the creation and popularity of the popular literature and art with the theme of "feeling", but also produced a movement of "transforming elegance into vulgarity" to the traditional "elegant" literature and art. Make "elegant music" become a form of expression of "popular music". Thirdly, take the architectural aesthetics as the main body, establish the aesthetic spirit of "long things as beauty", take the appreciative objects as aesthetic purport, attach importance to the feeling of the physical state of the scenery, and pursue the sense of things in the living environment.
【作者单位】：清华大学哲学系;
【分类号】：B83-09

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