走向纯粹的理论美学——评杨恩寰主编《美学引论》

发布时间：2018-06-02 07:56

本文选题：理论美学 + 审美经验　；参考：《社会科学辑刊》1994年06期

【摘要】：正作为人类文化历史长河的一支主干,理论绝不是灰色的,而是建筑在人类精神的最高层次上,是人类智慧开出的最灿烂的花朵。对于一个科学学科来说,较纯粹的非实用的理论的建构及体系的完备,则无疑是这一学科结出的最辉煌的成熟之果。所以,美学学科的真正独立和高度科学化,又必然要以纯然的理论美学的生成和体系化作为标志。把理论美学和应用美学加以区分,并有意识地积极构建理论美学的完整体系,这是美学理论的进一步自觉,也是美学走向更加科学化的重要一环。杨恩寰先生主编的《美学引论》(辽宁大学出版社1992年版),最突出的特色就在于开始自觉地构建纯粹理论美学的独特体系和理论大厦。
[Abstract]:As a trunk of human culture and history, theory is not grey, but built on the highest level of human spirit and the most brilliant flower of human wisdom. For a scientific discipline, the construction of a more pure and impractical theory and the perfection of the system are undoubtedly the most brilliant and mature fruits of this discipline. Therefore, the truly independent and highly scientific aesthetic discipline must be marked by the formation and systematization of pure theoretical aesthetics. To distinguish the theoretical aesthetics from the applied aesthetics and to construct the complete system of the theoretical aesthetics consciously and actively is not only the further consciousness of the aesthetic theory, but also an important link for the aesthetics to be more scientific. Introduction to Aesthetics edited by Mr. Yang Enhuan (1992 edition of Liaoning University Press), the most outstanding feature lies in the beginning of consciously constructing the unique system and theoretical edifice of pure theoretical aesthetics.
【作者单位】：河北大学中文系
【分类号】：B83

【相似文献】