身体美学:回归身体主体的美学——以西方美学史为例

发布时间：2018-08-20 10:11

【摘要】：20世纪是身体美学迅速扩张的世纪,人体借助大众传媒的崛起之势跃升为最重要的审美对象。然而,迄今为止的绝大多数相应话语都仅仅把身体当作审美客体,这至少在逻辑上是不完整的———身体美学作为一个词组有以下可能意义:(1)以身体为审美主体的美学;(2 )以身体为审美客体的美学;(3)以身体为审美主体且同时以身体为审美客体的美学。将身体当作众多审美客体之一并非新鲜的主张,这种意义上的身体美学的兴起并不意味着真正的美学革命。本文所说的身体美学首要地指以身体为主体的美学。这种意义上的身体美学不是美学的一个学科,而是所有回到了其根基的美学本身。它的诞生意味着美学在漫长的迷途之后终于回归了身体之根。以身体为主体的美学迟至19世纪下半叶才由德国哲学家尼采冲创出来,并且在2 0世纪仍未在西方美学中占据主流地位,其中的原因是复杂的。呈现这个复杂的逻辑因缘有助于我们建构真正的身体美学。
[Abstract]:The 20th century is the century of rapid expansion of body aesthetics, the rise of the human body with the help of mass media as the most important aesthetic object. However, most of the corresponding words so far have only regarded the body as the aesthetic object. This is at least logically incomplete-body aesthetics as a phrase has the following possible meanings: (1) aesthetics with the body as the aesthetic subject; (2) aesthetics with the body as the aesthetic object; (3) with the body as the subject and at the same time with the Aesthetics in which the body is the aesthetic object. It is not new to regard the body as one of many aesthetic objects. The rise of body aesthetics in this sense does not mean a real aesthetic revolution. The body aesthetics in this paper mainly refers to the aesthetics with the body as the main body. This sense of body aesthetics is not a subject of aesthetics, but all back to its roots of aesthetics itself. Its birth means that aesthetics has finally returned to the root of the body after a long lost path. It was not until the second half of the 19th century that the aesthetics of body as the main body was created by the German philosopher Nietzsche, and in the 20th century it still did not occupy the mainstream position in the western aesthetics. The reasons are complicated. The presentation of this complex logic helps us to construct real body aesthetics.
【作者单位】：深圳大学师范学院
【分类号】：B83

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