西方美学、审美教育与生态美学——曾繁仁教授学术访谈

发布时间：2018-08-24 17:16

【摘要】：由于曾繁仁先生对马克思主义哲学的由衷喜爱和有一股追求真理的强烈愿望,因此大学毕业后就毅然步入了作为马克思主义哲学有机组成部分的美学与文艺学的学术殿堂。他认为,对西方美学的研究主要是为了对西方美学进行必要的学术借鉴。这不但要坚持马克思主义历史唯物主义的原则,将一切美学现象都放到一定的社会历史发展中进行实事求是的分析评价,而且应该从中国的具体国情出发,坚持批判地继承与洋为中用的方针。西方美学有其特殊的思想智慧,对于建设发展当代中国美学意义重大。他还认为,在我国建设和谐社会的进程中,审美教育有着特殊重要的作用。其目的是培养学会审美地生存的一代新人,使之以审美的态度对待社会、他人、自然与自身。这是我国社会主义和谐社会得以实现的重要前提,也使美育成为我国新世纪极为重要的人才工程的有机组成部分。美育作为人文学科主要凭借的是人文学科的"个体经验"研究的方法与途径。曾先生还认为,当代人类社会已经由工业文明转变到"后工业文明",即生态文明。在生态文明的情况下,人与自然的关系由对立改造转变到共生友好,因此生态美学观的产生就成为经济社会与文化发展的必然要求。这也是他进行生态美学观研究的出发点。
[Abstract]:Because of Zeng Fanren's sincere love for Marxist philosophy and his strong desire to pursue truth, he stepped into the academic palace of aesthetics and literature and art as an organic part of Marxist philosophy after he graduated from university. He believes that the study of western aesthetics is mainly for the necessary academic reference to western aesthetics. This should not only adhere to the principle of Marxist historical materialism and put all aesthetic phenomena in a certain social and historical development for practical and realistic analysis and evaluation, but should also proceed from the specific conditions of China. Adhere to the policy of critically inheriting and serving foreign countries. Western aesthetics has its special ideological wisdom, which is of great significance to the construction and development of contemporary Chinese aesthetics. He also believes that aesthetic education plays a special and important role in the process of building a harmonious society in China. The purpose is to cultivate a new generation who learns to live aesthetically, and to treat society, others, nature and themselves with aesthetic attitude. This is an important prerequisite for the realization of a harmonious socialist society in our country, and also makes aesthetic education an organic part of our country's extremely important talent project in the new century. As a humanities subject, aesthetic education mainly depends on the research methods and approaches of individual experience. Zeng also believes that modern human society has changed from industrial civilization to post-industrial civilization, that is, ecological civilization. In the case of ecological civilization, the relationship between man and nature has changed from antagonism to symbiosis, so the emergence of ecological aesthetics has become an inevitable requirement for the development of economy, society and culture. This is also the starting point of his research on ecological aesthetics.
【作者单位】：山东理工大学文学与新闻传播学院;
【分类号】：B83

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