从“寂寞”走向公民美学——对中国美学发展历程的反思

发布时间：2018-08-27 06:09

【摘要】：由网络文化事件引发的"寂寞"话语实质上是当前社会私人化所造成的"大众孤独"现象。当下"大众孤独"现象的出现,正是当代中国美学忽略自身根基意识而停滞于市民美学倡导的必然结果。当代中国美学历程,呈现出从人民美学到市民美学的历史主体意识变迁。重审这一根基衍变,反思当前文化症候,走向公民美学应是中国美学研究进路的新方向。公民美学是对人民美学与市民美学的否定之否定,它要学习在张力中保持个体意义和共同体意义的和谐共生。美国学者阿克曼和罗蒂的宪政与哲学思想为构建公民美学提供了一种新人形象的有益启示。
[Abstract]:The "loneliness" discourse caused by the network cultural events is essentially the phenomenon of "public loneliness" caused by the current social privatisation. The emergence of the phenomenon of "popular loneliness" is the inevitable result of contemporary Chinese aesthetics neglecting its own basic consciousness and stagnating in citizen aesthetics. The course of contemporary Chinese aesthetics shows the change of historical subjective consciousness from people's aesthetics to citizen's aesthetics. Reviewing this basic evolution, reflecting on current cultural symptoms and moving towards citizen aesthetics should be the new direction of Chinese aesthetic research. The citizen aesthetics is the negation of the people's aesthetics and the citizen's aesthetics. It should learn to maintain the harmony and symbiosis of the individual meaning and the community meaning in the tension. The constitutional and philosophical thoughts of American scholars Ackerman and Rorty provide a useful inspiration for the construction of citizen aesthetics.
【作者单位】：中山大学中国非物质文化遗产研究中心;中山大学中文系;
【分类号】：B83

【共引文献】