评舒斯特曼的身体美学实践——以“金衣人”为例
发布时间：2018-08-30 13:07
【摘要】：舒斯特曼认为身体美学的要害是回归感知、意识和情感这类核心问题,18世纪鲍姆加敦创立美学学科,虽然将它定义为感性认知的完善,但是身体在其中并没有地位,康德使用"快感"这类语词描述审美鉴赏,似乎有所进步,但康德美学的"先验基础"里同样没有身体的地位。鉴于这一认知,舒斯特曼《金衣人历险记》中记述的作者化身金衣人的身体美学实践,便是针对身体美学如何用于当代艺术这类常见问题的一个身体力行的答复。当今行为艺术固然竞新斗奇,但功成名就的哲学家降尊纡贵,在持续有年的行为艺术里叙写另一种身份认同,舒斯特曼应是首例。舒斯特曼自称独钟沉默,强调哲学面对行为有所不能。然哲学的有所不能,终究是在无所不能语言中,得到了最为清晰的表达。身体美学的实践与理论之辨,或许亦可作如是观。
[Abstract]:Schusterman believes that the key to body aesthetics is to return to the core issues of perception, consciousness and emotion. Baumgarton established aesthetics in the 18th century. Although it is defined as the perfection of perceptual cognition, the body has no place in it. Kant's use of words such as "pleasure" to describe aesthetic appreciation seems to have improved, but the transcendental basis of Kant's aesthetics also does not have the status of body. In view of this cognition, the author's incarnation of the body aesthetic practice of Jinyi, described in Schustmann's Adventures of the Golden Man, is a practical answer to the common question of how body aesthetics is applied to contemporary art. The art of behavior today is, of course, new, but successful philosophers condescend to describe another identity in the art of conduct for many years, for the first time. Schuster-man claims to be silent, stressing that philosophy cannot face behavior. However, the philosophical failure, after all, is in the omnipotent language, the most clear expression. The debate between practice and theory of body aesthetics may also be a view.
【作者单位】： 复旦大学中文系;
【基金】：国家社会科学基金重大项目“新马克思主义文论与空间理论重要文献翻译与研究”(项目编号:15ZDB084)的阶段性成果
【分类号】：B83-06
[Abstract]:Schusterman believes that the key to body aesthetics is to return to the core issues of perception, consciousness and emotion. Baumgarton established aesthetics in the 18th century. Although it is defined as the perfection of perceptual cognition, the body has no place in it. Kant's use of words such as "pleasure" to describe aesthetic appreciation seems to have improved, but the transcendental basis of Kant's aesthetics also does not have the status of body. In view of this cognition, the author's incarnation of the body aesthetic practice of Jinyi, described in Schustmann's Adventures of the Golden Man, is a practical answer to the common question of how body aesthetics is applied to contemporary art. The art of behavior today is, of course, new, but successful philosophers condescend to describe another identity in the art of conduct for many years, for the first time. Schuster-man claims to be silent, stressing that philosophy cannot face behavior. However, the philosophical failure, after all, is in the omnipotent language, the most clear expression. The debate between practice and theory of body aesthetics may also be a view.
【作者单位】： 复旦大学中文系;
【基金】：国家社会科学基金重大项目“新马克思主义文论与空间理论重要文献翻译与研究”(项目编号:15ZDB084)的阶段性成果
【分类号】：B83-06
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