“理性”的历史考查及其在当代审美文化中的地位

发布时间：2018-09-07 06:47

【摘要】：正时下审美文化研究中出现了一种倾向,即有些国内学者把现实生活中出现的许多与日常生活相关联的文化现象统称之为审美文化,都把它们纳入审美文化的研究范围,诸如大众文化、企业文化、饮食文化、商业文化等等.而这些文化现象的一个共同特征就是强调文化的可复制性、功利性、世俗化以及单纯的感官刺激.如果我们不想把争论的面扯得太宽的话,那么上述问题可简单地归结为一点,即对审美文化(我们姑且把上述文化现象称作审美文化)中感性作用的强调而对其中的理性作用的无视与放弃.我们认为这种研究倾向忽视了甚至否认了审美文化对现实生活的超越性及其本身所表现出来的理想性、愉悦性和理性.这不仅会对审美文化的深层研究产生错误导向,而且对审美文化向现实的推进产生灾难性的后果.所以在目前情况下,我们首先明确“理性”的历史发展过程及其在当代审美文化中的地位是十分必要的.
[Abstract]:There is a tendency in the study of aesthetic culture, that is, some domestic scholars call many cultural phenomena related to daily life as aesthetic culture, and bring them into the research scope of aesthetic culture. Such as mass culture, corporate culture, food culture, business culture and so on. A common feature of these cultural phenomena is the emphasis on cultural replicability, utilitarianism, secularization and pure sensory stimulation. If we don't want to take the debate too far, the above question can be simply summed up as one point. That is, the emphasis on the perceptual role in aesthetic culture (we can call the above cultural phenomena aesthetic culture) and the disregard and abandonment of the rational role in the aesthetic culture. We think that this kind of research tends to ignore or even deny the transcendence of aesthetic culture to real life and its ideality, pleasure and rationality. This will not only lead to misdirection in the deep research of aesthetic culture, but also have disastrous consequences for the advancement of aesthetic culture to reality. Therefore, under the present circumstances, it is necessary for us to clarify the historical development process of rationality and its position in contemporary aesthetic culture.
【作者单位】：山东大学美学所!博士2500141
【分类号】：B83-0

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