在生存的有机整体性中释美

发布时间：2018-09-07 19:53

【摘要】：西方传统的二元论思维方式使西方美学成为放逐身体的美学,出离身体的精神荒谬地成为审美领域的独裁。放逐身体的荒谬性被卢梭、尼采、海德格尔、福柯等注重生存体验的西方哲人发现,并开始了灵肉二元论的反叛之旅。中国现当代美学在特殊的历史情境中误入灵肉二元论泥潭,在西方已然形成二元论反叛潮流的情况下却沉入二元论,身体的审美意义在形式的精神抽象中被决然否定,旗帜鲜明的美学诸派在放逐身体上达成共识。而灵与肉的有机整体性的守持却一直是中国传统审美理性的精要与精华。在西方学者逐渐倾神于生存的有机整体性的当下,承放逐身体的中国现当代美学而来的当下中国美学,如何在继承传统中重返审美家园,并由此发扬光大中国的美学传统,这是重要的时代课题。
[Abstract]:Western traditional dualistic thinking mode makes western aesthetics become the aesthetics of banishing the body and the spirit from the body absurdly becomes the dictatorship in the field of aesthetics. The absurdity of banishment was discovered by Rousseau, Nietzsche, Heidegger, Foucault and other Western philosophers who focused on the survival experience, and began the rebellion of spirit and flesh dualism. Chinese modern and contemporary aesthetics has been mired in the quagmire of the dualism of spirit and flesh in the special historical situation, but has sunk into dualism under the circumstances that the western countries have already formed the trend of dualism. The aesthetic significance of the body is denied in the spiritual abstraction of the form. The clear-cut aesthetic schools reached a consensus on the banishment of the body. But the organic integrity of spirit and flesh has always been the essence and essence of Chinese traditional aesthetic rationality. In the present of the organic integrity of the existence of the western scholars, the contemporary Chinese aesthetics, which is derived from the banished Chinese modern and contemporary aesthetics, how to return to the aesthetic home in the inheritance of tradition, and thus to carry forward the Chinese aesthetic tradition. This is an important subject of the times.
【作者单位】：辽宁大学文学院;
【分类号】：B83

【共引文献】