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消解“心”与“物”对峙的努力——朱光潜美学思想再思考

发布时间:2018-10-31 13:02
【摘要】:传统西方美学讲究"心———物"两分法,各历史时期的各派美学都重在探求"心———物"之间的关系以及"心"如何观照、反映"物",直至20世纪,西方美学界才形成对"心———物"交融美学问题普遍关注的倾向。朱光潜一直在进行着消解"心"与"物"对峙,在"心"与"物"交融的契合点上寻找美学真谛的努力,尽管,在中国特殊的历史时期,他的努力———他美学思想阶段性的呈现:先是推崇"形象直觉";后又从"意识形态论"入手,探究美与美感问题;最后在马克思主义实践论基础上确立"主客观相统一"的美学命题———带有明显的历史痕迹,但他始终没有放弃他的追求。在现代西方美学家殚精竭虑欲探询的主体与客体、存在与显现、意义与理解等
[Abstract]:The traditional western aesthetics stresses the dichotomy of "mind and matter". The aesthetics of each historical period focuses on exploring the relationship between "mind and matter" and how the "mind" reflects "things" until the 20th century. The western aesthetic circles have a tendency to pay close attention to the aesthetic problems of the blending of mind and matter. Zhu Guangqian has been making efforts to resolve the confrontation between "heart" and "thing" and to find the true meaning of aesthetics on the point where "heart" and "thing" blend, although, in the special historical period of China, His efforts-his aesthetic thoughts are presented in stages: firstly, "image intuition" is respected; Finally, on the basis of Marxist theory of practice, he established the aesthetic proposition of "unity of subjectivity and objectivity" with obvious historical traces, but he never gave up his pursuit. In modern western aestheticians, they are trying their best to inquire about the subject and object, existence and manifestation, meaning and understanding, etc.
【作者单位】: 辽宁大学文化传播学院
【分类号】:B83-092

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1 王纯菲;消解“心”与“物”对峙的努力——朱光潜美学思想再思考[J];辽宁大学学报(哲学社会科学版);2004年01期



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