从艺术的功利化到审美的伦理化——中西美学分道扬镳的起点

发布时间：2019-04-11 19:07

【摘要】：中国现代美学的西方化进程,一方面表现为中国现代美学在逻辑构架和概念范畴等方面的西方化,另一方面又表现为在中西比较中努力发掘中国传统美学的自身特质。中西美学尽管存在巨大差异,但并非泾渭分明,而是呈现出同中有异、异中有同的复杂状况。西方社会始终有着强大的宗教传统,中国社会的宗教观念却历来淡漠。西方思想传统以追求知识本身为目的,中国思想传统则以知行合一和经世致用为旨归。这些因素的作用给中西美学以深刻影响,和西方美学相同的是,中国美学以关注艺术的社会功利性始,和西方美学相异的是,中国美学以艺术的审美伦理化终。仔细辨析美学理论的这些关键性问题,对于重建中国美学具有重要意义。
[Abstract]:The westernization process of Chinese modern aesthetics, on the one hand, is manifested in the westernization of Chinese modern aesthetics in the aspects of logical framework and conceptual category, on the other hand, it is shown in the effort to explore the characteristics of Chinese traditional aesthetics in the comparison between China and the West. Although there are great differences between Chinese and Western aesthetics, they are not distinct from each other, but present a complex situation of similarities and differences. Western society has always had a strong religious tradition, but the religious concept of Chinese society has always been indifferent. Western ideological tradition aims at pursuing knowledge itself, while Chinese ideological tradition aims at combining knowledge with practice and applying it to the world. These factors have a profound influence on Chinese and Western aesthetics. The same as western aesthetics, Chinese aesthetics begins with the social utilitarianism of paying close attention to art. What is different from western aesthetics is that Chinese aesthetics ends with aesthetic ethics of art. A careful analysis of these key issues in aesthetic theory is of great significance to the reconstruction of Chinese aesthetics.
【作者单位】：西南大学中文系;
【基金】：教育部新世纪优秀人才支持计划“中国文论西方化问题研究”(NCET-07-0709)
【分类号】：B83-0

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