谈电影音乐的特征与功能

发布时间：2018-02-04 01:30

本文关键词： 电影音乐特征功能　出处：《电影文学》2010年23期 　论文类型：期刊论文

【摘要】：在为无声片伴奏的过程中,电影人发现了音乐在电影中所具有的艺术魅力。1908年,法国作曲家圣·桑率先为无声片《吉斯公爵被刺》谱曲,此后有更多的作曲家陆续为某部无声片作曲。这种专门为电影而谱写的音乐,已经做到配合画面的情绪与节奏,扩大了电影艺术的表现力。科学技术的进步为音乐正式进入电影奠定了基础,1927年10月美国第一部有声电影《爵士歌王》公映,同时也标志着音乐片的诞生。本文主要通过对电影音乐的分析和研究,来解析电影音乐的功能和特征,并希望借此来解读和分析电影作为综合艺术形式的音画一体性和音乐的不可替代性。
[Abstract]:In the process of accompaniment to silent films, filmmakers discovered the artistic charm of music in films. In 1908, French composer Saint Sonny was the first to compose music for the silent film, the Prince of Gisces being stabbed. Since then, more and more composers have composed music for a silent film. This kind of music, which is specially composed for films, has been able to match the mood and rhythm of the picture. The development of science and technology laid the foundation for music to enter the film. In October 1927, the first audible film, "the Lord of Jazz", was released in the United States. At the same time, it also marks the birth of music film. This paper mainly through the analysis and research of film music, to analyze the function and characteristics of film music. The author hopes to interpret and analyze the unity of sound and painting as a comprehensive art form and the irreplaceable nature of music.
【作者单位】：中国戏曲学院;
【分类号】：J617.6
【正文快照】： 电影诞生之初,就与音乐结下不解之缘。林格伦在《论电影艺术》中回顾说:“1896年2月,卢米埃尔兄弟的影片在英国第一次公映时,就由钢琴临场伴奏流行歌曲。”早期的电影理论家认为,采用音乐伴奏不仅可以掩盖放映机发出的噪音,而且可以满足观众视听一体的感受方式,适应无声的画

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