莫扎特维也纳中期三首钢琴协奏曲的创作特征

发布时间：2018-03-01 15:25

本文关键词： 莫扎特钢琴协奏曲创作特征　出处：《华东师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：沃尔夫冈·莫扎特(W.A.Mozart,1756——1791),是伟大的奥地利作曲家,他的音乐天赋体现在诸多音乐体裁上,钢琴协奏曲就是其中之一。莫扎特钢琴协奏曲是协奏曲发展史中的一个高峰,他提高了协奏曲的艺术表现力,使其多种要素在协奏中融合展开。因此,莫扎特协奏曲是钢琴演奏家必备曲目,是所有学习音乐的人值得研究的一部作品。本文研究对象是莫扎特1785年创作的三首钢琴协奏曲,共六个乐章,笔者主要通过乐谱分析方法对其进行分析比对,总结三首作品共有特征,并展开理论分析。全文分为三大部分：第一部分简述莫扎特钢琴协奏曲的历史地位和其创作阶段特征。第二部分大致介绍了莫扎特在十八世纪中期的创作背景。第三部分着重分析了三首协奏曲的结构特征和戏剧性特征。
[Abstract]:Wolfgang Mozart is a great Austrian composer, and his musical talent is embodied in many musical genres, and piano concerto is one of them. Mozart's piano concerto is a peak in the history of concerto development. He improved the artistic expressiveness of the concerto so that many elements of the concerto merged in the concert. Therefore, Mozart Concerto is a necessary track for piano players and a work worthy of study by all those who study music. The research object of this paper is three piano concertos composed by Mozart in 1785. There are six pieces of music. The author analyzes and compares them through the method of music score analysis, and summarizes the common features of the three works. The thesis is divided into three parts: the first part describes the historical status of Mozart's piano concerto and the characteristics of its creative stage. The second part gives a brief introduction to Mozart's writing background in the middle of 18th century. The third part focuses on the structural and dramatic features of the three concertos.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1

【引证文献】