乐户流变研究

发布时间：2018-04-16 07:12

本文选题：乐户 + 流变　；参考：《山西大学》2004年硕士论文

【摘要】： 关于中国传统音乐在二十一世纪的发展与走向，音乐学界曾有多种讨论，各抒己见，莫衷一是。本文通过对乐户流变的辨证性分析和多向移位思考，认为被称为吹鼓手、响器班的民间乐人在当今时代有着与历史乐户一样的基本社会角色——自觉或不自觉地担当起了承创中国传统音乐的历史重任，他们推动着中国传统音乐的发展；本文从社会观念、乐人行为以及音乐形态三个角度，通过对民间乐人生存方式、社会地位、组织形式、供职对象、音乐形态等流变的分析，力求做出新的解释并从成果上肯定民间乐人在中国传统音乐承创中作用和力量。本文包括三部分：第一部分，乐籍中的乐户。介绍了从北魏到清朝雍正元年，乐户在中国社会音乐文化传承中的作用和执业活动特点；第二部分，乐籍解除后的乐户后人(从雍正元年到解放前)。尽管从制度上他们已被撤消乐籍，但社会意识形态依然残留在人们心中，乐户流变迹象潜在进行，他们在民间音乐活动中的主导地位未受影响；第三部分，新时代的乐人。考察在社会制度大变革和人民政治运动广泛掀起的社会局势下，当今各种民间乐人在各层次社会音乐活动中的进一步流变，通过多方位分析，并从成果上证实了他们在民间音乐活动中的主导地位，，展示了民间乐人的新时代特征；第四部分，结语。力图通过对各种民间乐人的考察，展示民间丰富的音乐文化及其生命力。指出不再称为乐户的民间乐人尽管在社会地位、执业方式、人生观等诸方面有所改变，但作为中国传统音乐的主要承创者这一历史使命却始终没有变，民间音乐是发展中国音乐的出发点。
[Abstract]:On the development and trend of Chinese traditional music in the 21 century, there have been many discussions, different views and different opinions.Based on the dialectical analysis of Ledo's rheology and the thinking of multi-direction shift, this paper thinks that it is called the drummer.The folk musicians in the Orchestra class have the same basic social role as the historical musicians in the present era-consciously or unconsciously, they have taken on the historical responsibility of creating Chinese traditional music, and they are promoting the development of Chinese traditional music.This article from the social concept, the music person behavior and the music form three angles, through the folk music person survival way, the social status, the organization form, the service object, the music form and so on the evolution analysis,Try to make a new explanation and affirm the role and power of folk musicians in Chinese traditional music creation.This article includes three parts: the first part, the music in the music.This paper introduces the role of Yuehu in the inheritance of Chinese social music culture from the Northern Wei Dynasty to the first year of Yongzheng of the Qing Dynasty and the characteristics of its practice activities. The second part is the descendant of Yue Hu after the dissolution of the musical nationality (from the first year of Yongzheng to the pre-liberation period).Although they have been abolished from the system, the social ideology still remains in people's minds, and the change signs of the Yuedo have been carried out, and their dominant position in the folk music activities has not been affected; the third part is the new era of musicians.Under the social situation which has been greatly changed in the social system and caused by the people's political movement, the further evolution of various folk musicians in social music activities at all levels has been studied through multi-directional analysis.It also proves their dominant position in folk music activities and shows the characteristics of folk musicians in the new era. The fourth part is the conclusion.Try to show the rich folk music culture and its vitality through the investigation of various folk musicians.It is pointed out that although the folk musicians who are no longer called "happy households" have changed in social status, way of practice and outlook on life, the historical mission of being the main creator of Chinese traditional music has never changed.Folk music is the starting point of developing Chinese music.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.2

【引证文献】