钢琴音乐文献研究中的美学思辨

发布时间：2018-04-23 01:11

本文选题：音乐美学 + 形式-自律　；参考：《东北师范大学》2002年硕士论文

【摘要】： 本文从钢琴音乐中探求钢琴文化与美学研究之间的关系，以及用美学的观念这一设想来解释钢琴演奏中的音乐观念问题，试图找出这种学术研究的哲学依据，从而对钢琴音乐关于美学本质有概括性的认识，以便了解钢琴文化演变中的美学思想，最终运用于清晰把握演奏的实质，使之达到感性经验与理性分析的融合。第一章：创作观念的二元性钢琴演奏过程中要透过音乐作品的客体的表象，把握作曲家创作时的思想观念，从而最终真切地理解作品的内涵。第二章：规律与观念的互动性这是第一章研究深入的衍体。在钢琴音乐中集中展现了音乐自身演化规律与人对音乐主导思想的不平衡发展关系。第三章：演绎观念的沿袭与创新音乐作品一经产生，一方面是作曲家个性创作的反映，同时又是脱离创作思维而独立存在的客体。在经过不同时代的演奏诠释，音乐作品被注入新的活力，其生命力得以永恒延续。
[Abstract]:This paper explores the relationship between piano culture and aesthetic research from the perspective of piano music, and tries to find out the philosophical basis of this kind of academic research by using the idea of aesthetics to explain the problem of musical concept in piano playing. Therefore, there is a general understanding of the essence of aesthetics in piano music, so as to understand the aesthetic thought in the evolution of piano culture, and finally apply it to grasp the essence of playing clearly, so as to achieve the fusion of perceptual experience and rational analysis. Chapter one: duality of creative ideas In the process of playing the piano, we should grasp the ideas of the composer in the creation through the representation of the object of the musical works, and finally understand the connotation of the works. Chapter two: the interaction between laws and ideas This is the first chapter of the in-depth study of the derivation. In piano music, it shows the relationship between the evolution of music itself and the unbalanced development of people's dominant thought of music. Chapter three: the inheritance and Innovation of deductive concept Once a musical work is produced, it is not only a reflection of the composer's individual creation, but also an independent object independent of creative thinking. After different times of interpretation, music is infused with new vitality, its vitality can be perpetuated.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：J601

【引证文献】