宋代乐队编制研究

发布时间：2018-05-03 11:30

本文选题：宋代 + 乐队　；参考：《河南大学》2001年硕士论文

【摘要】：本论文主要以宋代乐队的编制为研究对象。宋代乐队的编配方式及其功用、分类特点等内容，是其研究的主要内容。在研究方法上，主要依据记录宋代音乐活动以及有关乐器编制情况的音乐历史文献，，以及保留至今的宋代音乐文物。力求通过文献与文物的互补和互证来达到研究的目的。全文的正文共分为三章。第一章“宫廷乐队编制”，对宫廷中雅乐乐队（包括宋初鼓吹十二案、大晟府与宫架乐队、登歌乐队等有关内容）、宴乐乐队（包括教坊乐、云韶部、四夷乐乐队等有关内容）、鼓吹乐队（包括狭义的鼓吹乐、随军番部大乐、马后乐、钧容直、东西班乐的乐队等有关内容）以及其他乐队的编配、组合方式进行研究。第二章“民间乐队编制”，主要对杂剧伴奏乐队、说唱类与歌唱类伴奏乐队、舞旋乐队、纯器乐乐队的编配、组合方式进行研究。第三章“宗教乐队”，主要对宋代的一些佛教、道教活动中的乐队编配、组合方式进行研究。本文的研究，不仅通过对有关音乐文献和音乐文物的整理、分析，对宋代各种类型的乐队编配、组合形式给以梳理、归纳，并且，与此同时，也更注意从历史研究的角度，从原本散落的史料中，对各类乐队编制在历时中的发展和演变给予充分的注意。例如依据现有的史料，对宋代教坊乐在不同时期存在的、以鼓、板、笛类乐器为其乐队主要成分的乐队编制，从其发展、演变的角度，进行研究，甚至将其前源推至唐代，再结合宋代文化转型这一大的文化背景，探究影响和制约这类乐队发展、演变的背后原因。对于本文的主要研究内容以及取得的学术成果，专有“结论”一节给予说明。文后又以“附录一”和“附录二”的形式，列出论文研究中经系统梳理而形成的文物和文献整理成果：《宋代音乐文物反映的乐队状况》、《＜宋代乐队编制研究＞史料汇编》。
[Abstract]:This thesis mainly takes the compilation of the Song Dynasty band as the research object. The arrangement and function of Song Dynasty Band, The characteristics of classification are the main contents of its research. In terms of research methods, it is mainly based on the recording of Song Dynasty music. Activities and musical instruments related to the compilation of historical literature, as well as the preservation of the Song Dynasty music relics. Force In order to achieve the purpose of the research through the complementary and mutual proof of literature and cultural relics. The text is divided into three chapters. The first chapter, "the compilation of court bands", deals with elegant music bands in court (including advocating twelve cases in the early Song Dynasty). The government and the palace shelf band, the singing band and so on related content, the banqueting band (including the teaching square music, the cloud shao part, four Yi Music team and other related content, advocating the band (including narrow sense of music, along with the army Dale, behind the music, Jun Rong straight, the Eastern and Western Band Band, etc.) and the other band's arrangement, the combination way carries on the research. Research. The second chapter, "Folk Band compilation", mainly for the zaju accompaniment band, rap and singing type accompaniment music Team, dance band, pure instrumental band arrangement, combination of research. The third chapter "religious band", mainly to some of the Song Dynasty Buddhism, Taoism activities of the band allocation, group The combined mode is studied. The study of this paper not only through the relevant music literature and music cultural relics collation, analysis, the Song Dynasty Types of bands are arranged, combined forms are combed, summed up, and, at the same time, more attention is paid to the calendar. From the perspective of historical research, from the original scattered historical materials, the development and evolution of various bands in the diachronic Give full attention. For example, according to the existing historical data, to the Song Dynasty in different periods of the existence of Fangyue, to drum, The composition of a band that is the main component of its band and is studied in terms of its development and evolution. Research, even push its former source to the Tang Dynasty, and then combined with the cultural transformation of the Song Dynasty, this big cultural background, explore the impact And restrict the development of such bands, the reasons behind the evolution. The main contents of this paper and the science of its achievement Technical achievements are explained in the exclusive "conclusion" section. Then, in the form of "Appendix I" and "Appendix II", the paper is listed in the form of systematic combing. Cultural relics of Song Dynasty and the results of Literature collation: "the State of the Band reflected by the Cultural relics of the Song Dynasty", < < the Song Dynasty Orchestra Editing A compilation of historical materials.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2001
【分类号】：J609

【引证文献】